Born in 1983, Emmanuelle Andrianjafy grew up in Madagascar and worked as an engineer in France before moving to Dakar in 2011. Relocation to Senegal proved quite a shock. “It’s very energetic, very hectic, very loud,” she told BJP for the June Ones to Watch issue. “It’s very different to where I’ve lived before. It’s by the sea but it’s not peaceful; the landscape is harsh and dry. I was tempted to not deal with it and just stay at home.”
BJP is proud to present the Book Dummy Award, a new competition run in partnership with La Fábrica and Photo London.
The award offers one winner the chance to have his or her book published, in a print run of at least 1000 copies, and have it showcased through La Fabrica’s sales catalogue, presented an exhibited at festivals and fairs such as Photo London 2018 and PHotoESPAÑA 2018, and submitted to the most important photography competitions around the world.
The ten winners are: Carl Bigmore, Georgs Avetisjans, Kazuma Obara, Lua Ribeira, Martin Seeds, Matthew Broadhead, Michael Vince Kim, Monica Alcazar-Duarte, Sam Ivin and Sian Davey.
Britain’s biggest photo fair is now an established event – so it’s organisers are pushing the boundaries this year with a headline show by Taryn Simon and more work by cutting-edge artists
“The series toys with the question regarding the necessity of travelling to a place that has been photographed innumerable times, the need to record additional photographs,” says the artist. “If countless images of a specific place are readily available, has one been there already?”
Back in 2010 BJP asked a panel of experts to select the best photobook of the past 25 years. They chose Ravens by Japanese photographer Masahisa Fukase – a dark, impressionistic journey by a man left bereft by divorce which has also been interpreted as an insight into the post-war Japanese psyche.
British Journal of Photography is screening a day of films today (Friday 20 May) at the Photo London art fair at Somerset House. One of highlights of the programme is a free screening of James Crump’s acclaimed documentary, Troublemakers: The Story of Land Art (2015), just released in the UK. The 72-minute film tells the story of how, in the late 1960s, a cadre of emerging New York artists sought to transcend the limitations of art. They were looking for a larger canvas to work on. Troublemakers mines previously unseen photographs to resurrect the lives of artists who made earthworks, rather than artworks, and whose creations still exist – on a monumental scale – in the desolate deserts of the American southwest. “In doing so, they thought they were going to end galleries,” says director James Crump, whose film explores how, in making works that can never be possessed as an object in a gallery, such artists stood in direct contrast to the emerging, hyper-speculative contemporary art world of the day, and, evermore so, the …
After the success of its inaugural edition earlier this year, Photo London has announced its return in 2016, putting on a week-long celebration of photography taking in city-wide exhibitions, installations and talks from the 19th to the 22nd May next year. Produced by Candlestar, the company behind the Prix Pictet and numerous other curatorial-based enterprises, this year Photo London housed more than 70 galleries at Somerset House. As Michael Benson, co-director of Candlestar and co-founder of Photo London alongside Fariba Farshad, told us, the fair has whet the city’s appetite for photography. “Next year we’ve extended to include 80 galleries – we have been so inundated with applications that we’ve even had to create a temporary structure in the courtyard.” Exhibitors include Flowers Gallery, Galerie Polaris and TJ Boulting, with top photography galleries showing alongside a ‘Discovery’ section for emerging galleries. Work shown also includes a site-specific commission by London artists Walter and Zoniel, a series of works by Turner Prize-winning artist and photographer Craigie Horsfield and an exhibition of work loaned from the Moscow …