All posts tagged: photobook

Desire in the American South in Gravity is Stronger Here

“Most people I meet are not satiated or fulfilled and desire more. Desire to be heard. Desire to be seen. Desire to connect and matter,” says Phyllis B. Dooney, the American photographer behind the photoseries Gravity is Stronger Here. The project, which started as an exploration of the American South, centres on a Greenville family trying to negotiate life in middle America. Their needs and wants are the same as those across the country: to be heard, to be seen, to be accepted.

2017-08-10T12:04:38+00:00

Book: Pathos as Distance by Andreas Mühe

For his latest project, Andreas Mühe has opened a dialogue between the centuries. For alongside the photographs of austere politicians and dramatic cliffs in Pathos as Distance, he has interwoven excerpts from a novel, 1913 – The Year before the Storm by Florian Illies. In doing so, he hopes to give readers a sense of perspective about our own, increasingly fractious era. “1913 reminded me a little bit of our here and now,” says Mühe. “This unburdened and rather easy-going lifestyle right before World War One breaks out – [the start of the war] completely surprising, but very predictable at the same time.

2017-08-10T12:05:40+00:00

Female photographers wanted for the Firecracker grant

Fiona Rogers founded her online Firecracker platform to help showcase the best talent in female photography. What followed was a community of photographers all celebrating and sharing amazing work and it wasn’t long before the Firecracker grant was born. “It felt like the natural evolution was to be even more supportive. Something that went beyond showcasing work online. It started out pretty small: everybody contributed £10 to put into the pot and then we managed to flip that into a grant that was £1,000 and now it’s grown to £2,000.”

2017-07-21T15:30:10+00:00

On the era of mass appropriation, and inventing new colours

Nick Thornton Jones and Warren Du Preez, the London-based experimental photographers, call their work “the de-familiarisation of surrealism”. In Immortal, their beautifully-produced new series of photobooks, the pair explore this idea with portraits of the human form shot with a dizzying intensity of colour and lights, as if we’re seeing, printed on paper, a fevered dream. “We were fed up of everything being watered down and diluted. It feels like everything’s hyper-referential,” Du Preez says of the genesis of the project when we meet in their Bethnal Green studio. “The editorial and art world can feel like a pool of brown mud to me. There’s a lack of process to a lot of art out there now and for two process junkies, that can feel quite depressing.” “It’s important to make your own stuff,” says Thornton Jones. “People don’t do that anymore; they sample everyone else’s and call it their own. They’re not inventing and making stuff. It’s an era defined by mass appropriation. So this series was born out of a sense of frustration …

2017-06-26T11:58:24+00:00

Photobook: new edition of Ravens by Masahisa Fukase

Back in 2010 BJP asked a panel of experts to select the best photobook of the past 25 years. They chose Ravens by Japanese photographer Masahisa Fukase – a dark, impressionistic journey by a man left bereft by divorce which has also been interpreted as an insight into the post-war Japanese psyche.

2017-05-25T10:38:46+00:00

Project: Louis Quail’s Big Brother

“If you are on the lowest rung of society, if when you get on a bus people turn away from you, it’s nice to be noticed,” says Louis Quail. “It’s nice to be seen.” We’re talking about his project Big Brother, which recently won the portfolio review prize at Format International Photography Festival and will soon be published as a book. Shot over the last six years, it’s a portrait of Quail’s older brother Justin, who is now 58 and has suffered from schizophrenia for his whole adult life. Quail doesn’t shy away from the obvious effects of his brother’s illness, showing his wrecked shoes and chaotic flat, and including police notes and medical records that speak of medication, sectioning and arrest. But his project also shows another side to Justin – one less familiar, perhaps, in our conception of the mentally ill. It includes Justin’s excellent drawings and paintings, his poetry, and his love of bird watching; it also shows his girlfriend Jackie, who also has mental issues and is an alcoholic, but who …

2017-05-25T10:45:41+00:00

Photobook: Metropolight by David Gaberle

Five years ago David Gaberle went through “a really rough time” after moving to London. A friend suggested he pick up a camera to help process his experience, and he found that photography “really eases the experience of the sensory overload that comes with living in a big city”. By 2015 he was ready to embark on an ambitious new project inspired by this work, and invested all his savings in travelling to the world’s biggest cities to shoot them. On the move for eight months and changing location every few weeks, he covered over 3600km. “The constant search was the happiest time of my life,” he says. Originally from the Czech Republic, Gaberle studied anthropology back home and has a researcher’s perspective on the modern metropolis. “In the big cities, people spend less time with other people which means they have more time to become different, developing themselves,” he says. “There are more interesting personalities in the cities.” At the same time, though, he finds big cities can be “really dehumanising”, because “they have an effect on how …

2017-05-25T10:46:44+00:00

From Botoxed faces to yapping pooches: A glimpse inside the hidden world of the super rich

If there is a photographer who has a knack for being in the right place at the right time, it’s Dougie Wallace. For more than ten years, the East London-based Glaswegian photographer, has been turning his camera on everyone from stags and hens to Shoreditch hipsters, Bombay taxi drivers, and now the super rich. Getting uncomfortably close to his subjects with a double flashgun, Glaswegee as he is known creates colourful unforgiving images that reveal the unedited reality behind his subjects. We see stags trussed up like turkeys, scantily-clad women cavorting around London, and yapping dogs snarling into the lens. Few photographers get closer than this. In particular, Wallace’s Olympus-shot images of the global super rich in London’s elite districts of Knightsbridge and Chelsea paint a telling picture of glut and greed. This so-called ‘one per cent’ is the subject of Wallace’s Harrodsburg, a project recently published as a book by Dewi Lewis. It is nothing less than a visual satire on the ultra affluent elite and their exorbitant spending habits. Wallace, who is represented …

2017-03-10T11:38:49+00:00

Q&A: David Molina Gadea on his book project White Noise Black Mirror

Born in Tarragona, Spain in 1991, David Molina Gadea studied Arts at the Massana School from 2009 to 2012, and started to work with local newspapers shortly after graduating. In 2015 he did voluntary work in several centres for asylum seekers in Belgium, where he shot a series called The Long Way home, which was published in BJP’s September 2016 issue. He reached the final in Burn Magazine’s Emergent Photographer Fund, and recently joined the Portuguese agency 4SEE.  BJP: How would you describe your style? DMG: My work is documentary, so everything you see is what was truly going on. But when it comes to editing and sequencing the work, I try to build a less factual world where magic exists. That’s why some of the pictures are becoming more abstract, or I prefer to say ambiguous. I’m becoming less interested in depicting the world of facts, and more interested in poetry, in a kind of emotional territory. In the end it is just about documenting the world around me, but documenting the poetic and emotional …

2017-03-06T12:28:20+00:00

Daniel Mayrit’s portraits of the rich and powerful financial elite

“In the past, no government had the power to keep its citizens under constant surveillance,” wrote George Orwell in his novel 1984. But where his work depicts an imaginary dystopian society, a version of the mass surveillance it describes is now an everyday reality in the West. Civil liberties, some contend, are being traded for security. That’s the debate Spanish photographer Daniel Mayrit engages with in You Haven’t Seen Their Faces, a seminal work which won the Paris Photo-Aperture Foundation First PhotoBook Award in November 2015. The book is a bizarre collection of CCTV-style, strongly pixellated and blown-up portraits of “The 100 most powerful people in the City of London”, coarsely printed on Kraft paper and bound together with three gold-coloured screws. Every image is tagged with hand-written notes and a caption, giving the same information about each subject – full name, position, company, reported net worth and/or salary. The basic data that goes with the picture of Christian Levett, for example, reads “Founder. Clive Capital. £13m salary. Net worth £250m”, presented in a font that suggests officialdom. …

2016-11-29T16:07:04+00:00

BJP Staff