All posts tagged: Photojournalism

Daniel Castro Garcia wins the W. Eugene Smith Grant

Daniel Castro Garcia wins the $35,000 W. Eugene Smith grant to continue his work on the European migrant crisis – read more about the work in BJP’s interview with him, first featured in our September 2016 issue. l. “The fact that my mum and dad are foreign, it’s played a massive role in my life. When those two boats capsized, the way that was written about, the adjectives used, and the type of photographs – on a personal level, that resonated. I know the kind of things my parents went through when they moved to the UK, and I know they’ve contributed really positively to British society. It felt increasingly uncomfortable, the way they were representing people who effectively did what my parents did, for the same reasons – poverty. Some of the things that were written were just unbelievable bullshit about people that are just the same as any of us. What an individualistic, separatist, regressive mentality.”

2017-10-19T10:05:49+00:00

Julien Chatelin’s break from the decisive moment

In 2011, Chatelin, a successful photojournalist and author of the photobook Israel Borderline (2008), was sent to Libya to cover the uprising at the beginning of the war. After a few months he became frustrated with the work he was producing and decided to head in a different direction. Switching to a large format camera, he travelled to the Egyptian desert and began looking at the impact of shifting economies on the landscape and territories surrounding the nucleus of action. This work has also seen explorations to Detroit, western China and Siberia, which, like Egypt and Libya, are places with diverse histories and contrasting geographies but which are fixed in outside perceptions with a single vision.

2017-07-26T16:04:21+00:00

Report: Why Souvid Datta’s image theft is the least of the problem

It’s the scandal of the season – a young Anglo-Indian photographer Souvid Datta has been caught stealing other photographers’ images and claiming them, or elements of them, as his own. The story broke on 03 May, when PetaPixel published a story alleging Datta had taken a figure included in an image shot by Mary Ellen Mark on Falkland Road, Bombay 1978, and copy-pasted it to one of his own shots. Datta then renamed the person Asma and claimed Asma was a veteran sex worker friends with a 17 year old fellow sex worker, who he also named and who is also clearly identifiable in the photograph. The article included damning and pretty inarguable compare-and-contrast shots of the two images, and by 04 May, Time LightBox editor Olivier Laurent had managed to get an interview with Datta in which he confessed to this and other misdemeanours – such as taking images by Daniele Volpe, Hazel Thompson and Raul Irani and passing them off as his own, and cloning and restitching multiple components of his own images together. “I foolishly doctored images,” stated the …

2017-06-13T15:25:11+00:00

Photojournalist Paula Bronstein on the Afghanistan stories that don’t go away

“Let me try to explain you something,” says renowned American photojournalist Paula Bronstein. “Afghans are strong, they’re resilient. They can deal with a lot. Anybody who I know who is a fixer, translator, photographer – everyone has lost friends or relatives. Children walk around in the middle of winter in these cheap, Chinese plastic shoes without socks, when there’s snow on the ground. It’s how they grow up. They’re strong because they have to be, not because they want to be.” Born in Boston, Paula Bronstein specialised in photojournalism at the Rochester Institute of Technology before developing her career working for various newspapers in the States. She moved to Thailand in 1998, and in 2001, she was sent on her first assignment to Afghanistan. Over the years she has come to play a pivotal role in capturing some of the most striking images and stories of impoverished communities from the war-torn region. “I was captivated by the place,” she says. “It became kind of my beat, so to speak.” Some 15 years later, Bronstein has …

2016-08-18T11:03:02+00:00

Creating the new symbols of protest imagery

Protest imagery has taken on a refreshed sense of vibrancy in recent years, thanks to the rise of smartphone photography, social media and a new generation of young, politically engaged activists. But while smartphones have allowed for a wider range of representation, the rising tide of documentation has also raised all boats, including photojournalists like Natalie Keyssar who’d perhaps still be photographers in any other era. The collective appetite for dynamic photography that helps portray the raw edges of global issues has never been greater, and this sense of drama is present in Keyssar’s work, which has been seen in publications like Bloomberg Businessweek, California Sunday, The Fader and The New York Times. Newly signed by international photo agency INSTITUTE, on her website she describes herself as “primarily [focusing] on youth culture, activism, and class”, and in recent months Keyssar has focused her lens on scenes of activism and protest around the world. We caught up with her over email to ask what compels her to cover these issues.     Your recent work has …

2016-01-13T14:33:00+00:00

Keeping the flame of photojournalism alive, the Ian Parry Scholarship exhibits winning images

Launched in 1991, the Ian Parry Scholarship is an annual photographic competition for young photographers under the age of 24 or attending a full-time photographic course. Announced in July, this year’s winner Yuyang Liu, hailing from China, submitted a portfolio of images documenting the lives of people suffering with mental illness from Guangdong Province. Hosam Katan (Syria) was highly commended for his work, and Hashem Shakeri (Iran), Isadora Kosofsky (USA) and Salahuddin Ahmed (Bangladesh). An exhibition of this year’s winning and commended work, curated by Rebecca McClelland, is being exhibited this month at London’s Hoxton Gallery. The award was launched in 1991 in honour of Ian Parry, a 24-year-old photojournalist who was tragically killed whilst on assignment for The Sunday Times in December 1989 in Romania. The Scholarship comes with a £3500 grant for the production of a documentary body of work. The winner also receives a choice of equipment from Canon, has their work published in The Sunday Times Magazine, is automatically added to the final list of nominees for the Joop Swart Masterclass …

2015-12-02T17:04:09+00:00

BJP Staff