“I think of most relationships as manifestations of our fantasies. We have an ideal fantasy of who our partner is and we maintain that fantasy”
“Photography is an industry with a beautifully open culture. You can be from anywhere and have any background and still be accepted”
“I believe that the great strength photography has, and in particular documentary photography, is content. So much of what is published today, seems to me to be content less. I hope my photography illuminates and resonates with viewers and tells how British society was. And, of my more recent work, of how society is,” says Homer Sykes. he has been photographing British society for five decades, including major social and political events, such as The Battle of Lewisham. Now, some of his work is set to be featured in a Burberry show this month.
This year’s 30 nominees are a celebration of some of the best contemporary photography. But whose work deserves to win?
The Portrait Issue returns this September just as The British Journal of Photography launches the return of Portrait of Britain, which will once again appear on digital JCDecaux screens across the country, in partnership with photography giant Nikon. Portraits have a rare capacity to capture a person, family and community in a way that reshapes a narrative or empowers an entire group of people. Each photoseries in this issue manages to shed new light on an individual or group and move beyond stereotypes to find a more honest truth – whether with a Roma group in the south of France, or a working class neighbourhood in The Netherlands.
Portrait of Britain returns for a second year with 100 more images that encapsulate life the length and breadth of the UK. From almost 8,000 entries this year, the final hundred will now be displayed in a digital exhibition across JCDecaux screens in shopping centres and commuter hubs around the country throughout September. In partnership with Nikon, the photography giant, Portrait of Britain aims to show the social and cultural diversity of people in the UK and showcase everyday citizens and unsung heroes in a gallery of the people, by the people, for the people. Simon Bainbridge, Editorial Director at the British Journal of Photography, was excited about the latest portraits for 2017, saying, “Collectively, the portraits celebrate the unique heritage and diversity of modern Britain, as much as its thriving photography culture and the myriad styles and approaches they employ in their work.”
We are happy to announce the three winners for this years Intrepid Film Photography Awards!
Today we’re sharing 10 of the best submissions we’ve had to the Intrepid Film Photography Award, in which each photographer tells us about their strongest film work, and what it is that brings them back to film time and time again. All you need to do to enter is choose your strongest photograph shot on film and tell us what it is exactly that brings you back to using film, time and time again. You only have a few days to enter! The Intrepid Camera Co. is a young start-up enabling a new generation of photographers of all kinds to put down their digital cameras and embrace the world of film with their affordable large-format cameras. Scroll down to the bottom of the article to find out how to submit to the competition and win one of Intrepid’s large-format cameras – it’s free to enter and only open until Sunday 11 June, so don’t miss out! Catherine Hyland The Photographer I am a female photographer whose work is primarily landscape-based and rooted in notions of fabricated memory, grids, enclosures, and national identity …
This fascination with the familiar isn’t a new phenomenon, says Phillip Prodger, head of photographs at the National Portrait Gallery and a former judge of the Taylor Wessing Photographic Portrait Prize. “We live in a world of the free exchange of imagery and social media and perhaps the photographs that once were considered more private aren’t considered so private anymore. I think people have been making those photographs all along but perhaps not sharing them in that way.”
Today we’re sharing another 10 photographers who choose their strongest photographs and tell us what it is exactly that brings them back to using film, time and time again. Plus, you only have a few days to enter the Intrepid Film Photography Award. The Intrepid Camera Co. is a young start-up enabling a new generation of photographers of all kinds to put down their digital cameras and embrace the world of film with their affordable large-format cameras. Scroll down to the bottom of the article to find out how to submit to the competition and win one of Intrepid’s large-format cameras – it’s free to enter and only open until Sunday 11 June, so don’t miss out! Kamil Śleszyński The Photographer I’m a former postman, Bulgarian forklift operator and autodidact documentary photographer. I live in Bialystok, Poland, where I work on long-term projects focusing on complex relationships between people. The Image This photo was taken in the Polish detention center where I was working on a documentary project about prisoners. It is one of the better frames I have made, …