All posts tagged: Rijksakademie

Arles: Paulien Oltheten is the 2018 New Discovery

Paulien Oltheten has won the Arles New Discovery Award with her series La Défense, le regard qui s’essaye. Rencontres d’Arles will now buy €15,000 of her work, and add it to the festival collection.

La Défense, le regard qui s’essaye encompasses a video essay, a photo series, and a collection of objects, and was shot mainly in the La Défense financial district in Paris. Recording people going about their everyday lives, the series creates imaginary links between them, adding a fictional element to a documentary project, and a layer of poetry to the otherwise unremarkable. Born in 1982 in Nijmegen, Netherlands, Oltheten studied at the Rijksakademie in Amsterdam, and is now based in Amsterdam and Paris.

Oltheten was selected from the ten photographers who made it into the Arles New Discovery Award exhibition this year – Sinzo Aanza, Monica Alcazar-Duarte, Christto & Andrew, Anne Golas, Chandan Gomes, Thomas Hauser, Anton Roland Laub, Ali Mobasser, Feng Li, Aurore Valade, and Wiktoria Wojciechowska.

2018-07-24T09:40:58+00:00

Photography and voyeurism in Paul Kooiker’s Nude Animal Cigar

Paul Kooiker’s latest photobook, Nude Animal Cigar, is a peculiar hybrid made up of variations on the three themes revealed in the title. It’s as if the weirdest and most beautiful nudes, mournful animals and mysterious still lifes of cigar butts have been picked out from photography’s 176- year history. But although the images look old- fashioned, they have all been made within the past five years by this contemporary Dutch artist. Applying sepia filters to all the images, he lends the series a vintage and melancholy feel, and by virtue of the treatment knits this motley trio of monochrome motifs together.

“My work is successful if it is about looking, and about photography,” says Kooiker in his studio, located in a quiet street on the southern periphery of downtown Amsterdam. “Ultimately, my work is about looking, and looking is the ultimate act of voyeurism. It makes the work accessible, as everybody is able to recognise himself in this act. It also leaves the viewer confused. What I want to achieve is to make the public feel accessory to the images they witness.”

2018-08-13T11:43:55+00:00

BJP Staff