Kickstarter has arguably revolutionised photography, allowing image-makers to source crowdfunding for big projects, and therefore help bring trends such as self-publishing to life. It’s now commonplace for photographers to announce they’re making a book and start a Kickstarter campaign to fund printing it, for example – but the platform only launched in 2009, and Arnold van Bruggen and Rob Hornstra were very early adopters when they used it to fund the first book in The Sochi Project (which was published in early 2010). Now Kickstarter has announced a new initiative allowing artists, collectives, and communities to seek funding on a more ongoing, subscription-like basis, rather than for one-off projects. Called Drip, it was soft-launched on 15 November and, so far, is only open to creatives invited by the platform – though of course anyone who wants to fund a project is now welcome. Drip is scheduled to open up to more creatives at the start of 2018.
“Kid was a bit of a boorish figure – a troubled man with limited capacities. He could also show his bad temper sometimes, so I can understand why many people found his bellowing voice and coarse speech intimidating. Over the years, I saw the police delivering him home several times after short detentions for various minor misdemeanours he apparently committed. Kid was also addicted to hard drugs, but I only understood all this at a later stage. He was a different person when he allowed me into his apartment, where I got to see another side of his character.”
The Portrait Issue returns this September just as The British Journal of Photography launches the return of Portrait of Britain, which will once again appear on digital JCDecaux screens across the country, in partnership with photography giant Nikon. Portraits have a rare capacity to capture a person, family and community in a way that reshapes a narrative or empowers an entire group of people. Each photoseries in this issue manages to shed new light on an individual or group and move beyond stereotypes to find a more honest truth – whether with a Roma group in the south of France, or a working class neighbourhood in The Netherlands.
Organ Zida, the impressive new independent photography festival from Zagreb, Croatia, has announced the ten finalists to compete in their main prize, orientated around the theme of Boundaries. Each of the finalist’s photography whose photography will be presented at the main festival exhibition, at the Klovićevi Dvori Gallery in Zagreb from the 3rd to the 18th September 2015. The exhibition is the central tenant of a diverse offering of photography from the only documentary photography festival in the Balkans. Sorting through over 300 projects from 47 countries was no small feat for the international panel of judges, consisting of photography heavyweights such as internationally-acclaimed photographer Roger Ballen, editor of Aperture magazine Michael Famighetti, Dutch photographer and publisher Rob Hornstra, Italian photographer and former World Press Photo winner Alessandro Imbriaco, British photographer Hannah Starkey and Croatian academic and photographer Sandra Vitaljić, as well as BJP editor Simon Bainbridge. Rob Hornstra says of the judging process: “The way the finalists distinguish themselves is because they go beyond registration and make a personal interpretation of theme they are working on. There is …