All posts tagged: Salvatore Vitale

FotoDepartament’s Best of 2017

Nadya Sheremetova and Yury Gudkov from the St Petersburg-based photography gallery, publishing house, and creative hub pick out their top five of 2017 – including the second edition of FotoDepartament’s Presence festival


Interview: Salvatore Vitale, winner of PH Museum 2017 Grant, on How to secure a country

How to secure a country investigates the abstract concepts of border and security in one of the most heavily armed countries in the world. It’s a striking, forensic series, and it won Salvatore Vitale the first prize in the PH Museum 2017 Grant. Vitale started work on the project back in 2014, after Switzerland voted against mass immigration – resident in Switzerland for ten years, he was originally an immigrant from Italy. During his research, the word ‘security’ started to jump out, along with ‘border’ and ‘protection’ , he says, so he decided to try to visualise the concepts; it took him a whole year to get access to the security system, and when he did, “fate wanted it to be a border guard”. His images are clean and often deliberately devoid of people, an aesthetic that deliberately suits the topic and the country. It’s “an aseptic, almost clinical language that is part of Swiss culture”, he says, adding: “I rarely show people, because it was more important for me to show the dynamics of how the system works. It was …


Awards: Salvatore Vitale wins the PHM 2017 Grant

“Salvatore Vitale’s extraordinary project How to secure a country is a forensic examination of national security in one of the safest countries on the planet. This work challenges the concept of power and control, shining a light on wider issues of mass migration and fear,” says Emma Bowkett, director of photography for the FT Weekend Magazine and a jury member for the PH Museum 2017 Grant this year. Along with Sarah Leen from National Geographic, Ihiro Hayami from Tokyo Photography Festival, and the photographer Alejandro Chaskielberg, she picked out the Italian photographer for the top prize, for his project exploring the National Security Program in Switzerland, his adopted home. Two years in the making, the series has been funded by a Swiss Arts Council Pro Helvetia grant, and Vitale has scooped £7000 by winning the PH Museum prize. “Salvatore Vitale has managed to gain access to one of the most difficult places to photograph; border control,” comments Hayami. “He tries to capture, or examine, the abstract concept of security through the fragments of scenes and successfully presents, …


BJP Staff