All posts tagged: SFMOMA

Walker Evans’ love of the vernacular at SFMOMA’s enormous retrospective

“There are two important things about this show,” says Clément Chéroux, senior curator of photography at SFMOMA. “First, the quantity of work – more than 300 photographs, quite a large selection, because we were able to get support from most of the big institutions – MOMA, the Art Institute of Chicago, the Metropolitan Museum of Art, National Gallery of Canada, the Musée du Quai Branly and so on, and private collections from around the world. Second, is the fact that it is arranged thematically rather than chronologically. Usually when you look at important retrospectives they are chronological, but we organised by theme because we wanted to organise it around Evans’ passion for the vernacular. He was fascinated with vernacular culture.”

2017-11-06T15:10:09+00:00

Any Answers: Clément Chéroux

With 40 books and 20 exhibitions to his name, a doctorate in art history from Panthéon Sorbonne, 10 years teaching the history of photography, and another decade as curator at the Pompidou, Frenchman Clément Chéroux is the ideal replacement for the legendary Sandra Phillips at San Francisco Museum of Modern Art. BJP caught up with him in an interview first published in issue #7853 The work of a curator functions on a principle of association between images and ideas. The greatest pleasure is when you introduce a tension between these two poles and a spark appears. I worked at the Centre Pompidou for 10 years. It is an extraordinary place, located in the heart of Paris and in the heart of people. It will stay in mine. I am very excited to discover San Francisco, its people, its sun and its fog. I will miss the gargoyles up on the Saint-Jacques tower that I used to greet every morning on my way to work. Photography is not merely a passion. It’s a life. I met photography on …

2017-02-24T11:03:31+00:00

Inside the New San Francisco Museum of Modern Art

If you are into photography, the last three years have dragged interminably in Northern California. Since the lights went out at San Francisco Museum of Modern Art (SFMOMA) in 2013, when it closed for a massive expansion on the back of a blockbusting Garry Winogrand retrospective that brought in huge crowds, there’s been a sense of loss and anticipation. Founded in 1935, the museum has always been the city’s visual arts powerhouse. It was also the first North American museum to collect photography seriously, and has mounted many stellar photography exhibitions in its eight decades. The intervening period has seen other photography venues emerge from its shadow; most notably Pier 24, an exhibition space dedicated to a large and eclectic private photography collection that rivals many museums, housed in a massive set of vaults under the Bay Bridge. Those lucky enough to snag a slot via its reservation system (limited to just 20 viewers at a time) have enjoyed thematic exhibitions – such as  last year’s Secondhand, devoted to found imagery that has been reworked, …

2016-05-11T11:55:50+00:00

BJP Staff