“This year’s theme is Belonging,” says PhotoEast/Panos Pictures director Adrian Evans. “Brexit, Trump and the rising tide of nativism and nationalism inspired us to explore just what belonging means today from the role of family and community through to larger global concerns.” Initially, Evans set up the festival with his wife Jo after moving to rural Suffolk, in an attempt to “bring something of what we did in our daily working life to where we lived.” For the second festival they were keen to broaden the appeal and and accommodate different points of view. “You get bored of your own taste after a while and we love the FT Weekend Magazine and the way they use photography,” says Evans, “so we approached Emma Bowkett and Josh Lustig (director and deputy director of photography on the magazine) to curate a series of shows around this year’s theme.” In response, Bowkett and Lustig brought together over 30 photographers, including Mark Power, Matt Eich, Sian Davey, Giulietta Verdon-Roe and Julian Germain. “We are keen to investigate the theme of Belonging through …
“What I experienced and witnessed in most families was a really strong sense of well-being and love towards each other, because it’s tough out there,” says Sian Davey, whose latest photoseries, Together, is about to go on display at the National Portrait Gallery in London ahead of an international tour. The photographer, who is already known for photographing her own family, was compelled to start a project that celebrated modern, diverse families after separating from her partner and seeing first hand how it affected her own family.
BJP’s Breakthrough Sessions are open from 23 June – featuring leading industry speakers such as Vivienne Gamble (director, Seen Fifteen), Hamish Crooks (licensing director, Magnum Photos), Jaki Jo Hannan (senior creative producer, AMV BBDO) and Dominic Bell (Webber Represents) and the BJP Breakthrough Awards exhibition, featuring Ryan James Caruthers, Jocelyn Allen, Todd R Darling and Cathal Abberton
A psychotherapist for 15 years, Sian Davey switched careers to photography in 2014 and has made a success of it – she’s now represented by Michael Hoppen Gallery, for example, and her book Looking for Alice was nominated for the Aperture Best Book Award at Paris Photo 2016, and the Kraszna-Krausz Foundation Book Awards 2017.
This fascination with the familiar isn’t a new phenomenon, says Phillip Prodger, head of photographs at the National Portrait Gallery and a former judge of the Taylor Wessing Photographic Portrait Prize. “We live in a world of the free exchange of imagery and social media and perhaps the photographs that once were considered more private aren’t considered so private anymore. I think people have been making those photographs all along but perhaps not sharing them in that way.”
And the revolution will be televised. Today, we announce the launch of the Intrepid Film Photography Award. The Intrepid Camera Co. is a young start-up enabling a new generation of photographers of all kinds to put down their digital cameras and embrace the world of film with their affordable large-format cameras. For the next few weeks, we will be sharing a series of articles showcasing the top emerging and established photographers using film today, proving that film is not dead. They choose their strongest photographs and tell us what it is exactly that brings them back to using film time and time again. Plus, scroll down to the bottom of the article to find out how to submit to the competition and win one of Intrepid’s large-format cameras – it’s free to enter and only open for a week, so don’t miss out! Lewis Khan The Photographer I am a photographer working with stills and moving image, narrative based in realism told through individuals, communities, places. The Image This is an image from a project I shot in …
Provoke: Between Protest and Performance by Diane Dufour, Matthew Witkovsky and Duncan Forbes has won Best Photography Book in the Kraszna-Krausz Foundation’s 2017 Book Awards. A celebration of the short-lived Japanese magazine, which ran for just three issues from November 1968 – August 1969, the book gathers the ground-breaking black-and-white images published by Provoke and combines with critical theory and interviews to show how influential the publication was.
The ten winners are: Carl Bigmore, Georgs Avetisjans, Kazuma Obara, Lua Ribeira, Martin Seeds, Matthew Broadhead, Michael Vince Kim, Monica Alcazar-Duarte, Sam Ivin and Sian Davey.
Inspired by the ancient Roman virtue of Gravitas, Christiane Monarchi has curated a photo exhibition focusing in on adolescents and their depiction
On one level, Looking for Alice is an illustration of family life, says Sian Davey, with “all the tensions, joys, ups and downs that go with the territory”. But on another, this photography series challenges perceptions of difference, because it focuses on images of her youngest daughter, who was born with Down’s syndrome. “The photographs explore the entwined narratives of my relationship with my daughter, and society’s prevailing attitudes towards people with Down’s syndrome,” she says. A trained psychotherapist, Davey speaks openly about her feelings – from her “deep shock” when her Alice was born, to the gradual acceptance that allowed her to “fall in love with my daughter”. “It was not what I had expected,” she continues. “I was fraught with anxiety that rippled through to every aspect of my relationship with her… I saw that Alice was feeling my rejection and that caused me further pain. The responsibility lay with me; I had to dig deep into my own prejudices and shine a light on them.” In Davey’s photographs, we see Alice smile, cry and …