The “fictive hellhole” of Soham Gupta’s Angst makes for challenging viewing. Since 2013, with the night as his backdrop, the 29-year-old has been creating a haunting constellation of portraits of those living on the margins of Calcutta society. Drawing on a troubled youth spent struggling with societal expectations, Angst is a despairing, personal reckoning with a world in which the weakest and most vulnerable are neglected. The project started following a workshop with Antoine d’Agata and Sohrab Hura (a Ones To Watch in 2011) in Cambodia, where Gupta was encouraged to move away from his background in photojournalism and build on his innate interest in loneliness and vulnerability. Setting out on his own nocturnal journey through the streets of his hometown, Gupta began photographing and writing short fictional texts about the people he encountered. After instigating conversation, he would then collaborate with them to create a portrait.
Alighting at Peckham Rye train station in south London, a short walk across a busy market street takes you to the Bussey Building complex, a former cricket-bat factory that is now home to an assortment of bars, music venues, yoga studios and art spaces, including the Copeland Gallery. This bright exhibition space is once again the main site of Peckham 24 festival of contemporary photography, celebrating its third edition this year and running over the weekend of 18 to 20 May to coincide with Photo London – more than the 24 hours with which it launched and gave it its name. “Last year we were literally pushing people out of the door at midnight,” laugh the co-founders, Vivienne Gamble, whose Seen Fifteen gallery is in a nearby space, and artist Jo Dennis.
The Guardian’s photo critic picks out his top five of the year, including Sohrab Hura’s installation The Lost Head & The Bird at The Nines, London during Peckham 24
Illuminating India: Photography 1857-2017, is the first exhibition to document the history of photography in India, and includes both archive and contemporary work. It includes images by India’s first known photographer Ahmad Ali Khan, pioneering art photographer Marahaja Ram Singh II, the country’s first female photojournalist, Homai Vyarawalla; and award-winning contemporary photographers such Magnum’s Sohrab Hura. It also includes images of India taken by non-Indians, including Henri Cartier-Bresson, Werner Bischof, Margaret Bourke White, Lucien Hervé, Mitch Epstein, Vasantha Yogananthan, and Olivia Arthur.