Cindy Sherman has long been known for her love of dressing up. Inventing new characters became part of her photography early on in her 35-year career, and her most famous work remains Untitled Film Stills (1977 – 80), in which she posed as imaginary B-movie and film noir actresses.
Now 64, Sherman has her first solo show in London since 2011 at Sprüth Magers’ Mayfair gallery, with a body of work also inspired by the Hollywood machine. In a selection of large-scale colour portraits, Sherman is the subject of all the images – re-cast as various ‘grandes dames’ of 1920s Hollywood, in what appear to be publicity shots.
London’s Hayward Gallery is reopening with a huge Andreas Gursky retrospective on 25 January, celebrating its 50th anniversary and its return after a comprehensive two-year refurbishment. The first major retrospective of the acclaimed German photographer in the UK, Andreas Gursky will include around 60 of images from the 1980s to the present day. Focusing on man-made structures and large gatherings of people. Gursky’s images draw attention to our changing relationship with the natural world, and chronicle the effects of globalisation on daily life; his subjects range from a crowded techno music festival in Germany (May Day IV, 2000/2014), to an underground water tank in the Kamioka Nucleon Decay Experiment in Japan (Kamiokande, 2007), in which a boat glides amid a gold-studded interior. “I only pursue one goal,” he has said, “the encyclopedia of life”.