Anna Alix Koffi realised that the issue of women in photojournalism was so big that it warranted a publication of its own, and started thinking out a framework for a second edition of Visa Paper focusing on work by women. “I realised I could do this because there are women artists everywhere I go,” she says. “Most of the time publications don’t focus on women, but I knew that Woman Paper Visa would be special because women in photojournalism is a strong thing. It’s much more difficult than any other form of photography.”
NOOR, the prestigious photo agency and foundation, has signed up three new nominees – Sanne de Wilde, Arko Datto and Leonard Pongo. Hailing from Belgium, India and Belgium/DR Congo respectively, all three are known for their cutting-edge work, rooted in documentary but pushing the aesthetic boundaries of image-making.
Returning for its eight edition from 13 September, Tbilisi Photo is an international festival in the heart of the Caucasus which hopes to bridge the image-making communities from across Asia, the Middle East, and Europe. This year themed Fashion, the diverse programme includes a look at Guy Bourdin’s iconic oeuvre, the Dutch artist Viviane Sassen’s approach to fashion photography, and an exclusive display of Iranian fashion magazines published before the Islamic revolution in 1978.
Passing away this morning, the American photographer leaves a legacy of outstanding work, particularly from Chechnya, and memories of an elegant, generous man