All posts tagged: Tate Modern

Daisuke Yokota (sometimes literally) blazing a trail through photography

We are in Arles, where in July 2016 he showed Mortuary, one of his signature sculptural installations, made up of heavily manipulated, elongated photographic forms. He had been selected for the Rencontres photofestival’s Discovery Award, though in truth this cat had been long out of the bag – Yokota exhibited in Arles in 2015, showing his almost imperceptible inky-black prints from his Inversion series as part of Another Language: 8 Japanese Photographers, curated by Simon Baker of Tate Modern. And in the preceding half decade, his intriguing, visually arresting performances, experiments, installations, books, soundscapes and collaborations have blazed a trail from Tokyo to wider international acclaim, taking photography on a journey to the extreme. In this he is a revolutionary, with neither pretension nor timid creativity. The sheer energy with which he produces work is extraordinary, verging on obsessional and driven by a desire to constantly record, destroy and then recreate. Anxiety is the fuel. “In my mind, I have an image of burning energy in continual production,” he says.

2017-10-09T12:13:11+00:00

Martin Parr’s Foundation opens to the public

Martin Parr has found a permanent home for the foundation he set up in 2014, giving visitors access to his archive and to his formidable collection. “I’ve been very lucky,” he told BJP’s Gemma Padley. “I have secured a very good living from doing this, and so the foundation is a great way to feed some of that back into the system.”

2017-09-19T12:08:28+00:00

Remembering Sue Steward – writer, curator, picture editor and much more

Even Sue Steward, a writer who excelled in celebrating lives, might have struggled to write an obituary that unravelled the vibrant meshing of her own. She lived with ferocious energy and enthusiasm, and a genuine gift for friendship so innate that she never realised how unique it was. When Sue died recently from a brain haemorrhage, sustained in her beloved East Sussex garden, grief ricocheted through an extensive global network of friends and colleagues. An overarching passion for music and visual culture ran seamlessly through Sue’s life, propelled by her boundless curiosity. She made her name as an authority on Latin and world music in the 1990s, and more recently in photography as a writer, curator, mentor, and broadcaster, but for her there was never a split between the two. One underpinned and enriched the other, and it would misrepresent the indefatigable, chaotic and brilliant way she lived to suggest a chronological division. Excellent obituaries cover Sue’s significant contribution to world and Latin music; here I will focus on some of her myriad photography activities. Sue read sciences at Liverpool University. After a brief stint as a secondary school teacher she …

2017-10-05T11:54:10+00:00

Getxophoto Festival probes post-global society from 31 August

“Where are ‘we’ going as a collective society?” That’s the question posed by this year’s Getxophoto Festival, back for its 11th edition under the stewardship of new artistic director, Bilbao-born Monica Allende. The festival, which opens on 31 August and runs until 01 October 2017, comprises 20 main exhibitions, many of them outdoors, and a lively programme of activity and events unfurling around the coastal town of Getxo in the Basque country. “‘Transitions’, the theme for the next three instalments of the festival, starts from the idea that we are entering “a period of post-globalisation”, says Allende, a former photo editor at The Sunday Times. “This concept has been on the fringes of debate for some time but is gathering momentum in mainstream discourse. “We see its effects through increased polarisation of political debate around the threats of climate change, the refugee crisis and the rise of nationalist populism. This is a moment of major uncertainties, where the status quo of the state and global free-market agreements are being questioned as solutions for a balanced …

2017-08-15T15:31:54+00:00

Breakthrough Awards: how to impress judges Diana Markosian, Juno Calypso and Hayley Louisa Brown

“I like it when you can tell they had fun making it, that they did it for themselves before anyone else,” says photographer Juno Calypso. “That criteria probably doesn’t apply well to documentary projects but I take pictures of myself in wigs and tacky lingerie, so what do I know?” She’s a fast-rising star in photography who launched her career with a series of self-portraits playing a fictional character named Joyce, but she’s also helping out as one of the judges of this year’s BJP Breakthrough Awards. She likes underdogs and “a photographer or a subject that isn’t already over-represented in the history of photography”, she says but, having been on the other side of the fence, adds that she knows how scary it can be to enter a prize. ”I know how it feels to place all your hopes into a single competition,” she says. “I don’t want to make lazy decisions [when judging]. What I will say though, is even if you do get rejected – keep applying or just do your own …

2017-04-26T10:44:43+00:00

Wolfgang Tillmans: 2017 opens at London’s Tate Modern

“He’s not a prophet, but he sees where things might go because he has an eye for the world,” said Chris Dercon, director of the Volksbuhne Berlin and co-curator of Tate Modern’s Wolfgang Tillmans: 2017 show at its press view this morning. A huge 14-room exhibition it bears out Dercon’s words with installations such as the ironically titled truth study centre, a collection of newspaper and magazine clippings, objects, drawings and images, that reflect on media representation of facts and our propensity to believe what we want despite them; also on show are Tillmans’ pro-Remain posters from the recent British referendum on EU membership. A close-up shot of a car headlight shot in 2012 is accompanied by the thought (in the exhibition booklet) that headlights are more angular now, “giving them a predatory appearance that might reflect a more competitive climate”; shots taken in nightclubs are interpreted in terms of the freedom might experience in such places. Other images show apples, celebrities, static interference; a specially-designed room, The Playback Room, is devoted to sharing recorded music on state-of-the-art equipment. The subject matter varies but …

2017-05-09T12:40:36+00:00

Wolfgang Tillmans – an interview from the BJP archives

On first sight, Wolfgang Tillmans’ east London studio has a relaxed feel, verging on the messy. But look closer and you notice the meticulously organised files of invoices, alongside boxes of letters and out-of-date films. The objects around this studio are often the subject of his photographs, and in many respects it helps explain his work. With their informal aesthetic and seemingly loose approach to subject matter, Tillmans’ photographs have been mistaken for casual snapshots. Don’t be fooled. He has deliberately abandoned “the language of importance”, but his images are carefully thought out and are often partly staged. “I guess there is a tendency for any artist in any field to want their work to be noticed,” he laughs. “But the artists who are a little bit more interesting go beyond that and realise that of course it’s much cooler to make it all look effortless.” Despite the apparent ease of style, Tillmans’ work is instantly recognisable, and he’s become one of the most celebrated artists of his generation. A decade ago he was the …

2016-11-23T16:38:21+00:00

BJP Staff