All posts tagged: Tom Wood

Tom Wood, Ken Grant, Alasdair McLellan, Corinne Day, and more in a star-studded show on Northern style

Preconceptions and stereotypes about Northern England are so entrenched that it can be hard to know how they got there, but curators Lou Stoppard and Adam Murray hope to change that this winter with a show examining how photography, fashion and art have developed in the region over the last century. And in doing so, they hope to demonstrate – and celebrate – North England’s immense influence on global culture and style. Running from 08 November-04 February at Somerset House, North: Fashioning Identity continues a show that Stoppard, SHOWstudio’s editor-at-large, and Murray, academic and lecturer at Manchester School of Art and Central Saint Martins, exhibited at  earlier this year. Featuring over 100 works, the exhibition includes fashion photographers such as Alasdair McLellan, Corinne Day, David Sims, and Glen Luchford, but also documentary photography dating from the 1930s to the present day.


Martin Parr’s Foundation opens to the public

Martin Parr has found a permanent home for the foundation he set up in 2014, giving visitors access to his archive and to his formidable collection. “I’ve been very lucky,” he told BJP’s Gemma Padley. “I have secured a very good living from doing this, and so the foundation is a great way to feed some of that back into the system.”


Burberry hosts a star-studded, three-floor documentary show

Martin Parr, Bill Brandt, Karen Knorr, Shirley Baker, Brian Griffin, Daniel Meadows, Chris Steele-Perkins, Mark Power, Tom Wood, Roger Mayne, and Tony Ray-Jones are all showing work in a new exhibition hosted by Burberry during London Fashion Week (and beyond). Installed over three floors in Burberry’s new show venue – the 18th century, Grade 2-listed Old Sessions House in Clerkenwell, London – Here We Are will include over 200 images by more than 30 photographers from 18 September-01 October


Exhibition: Tom Wood’s The Pierhead, 1978-2002

As a young man in the late 1970s and 80s, Tom Wood regularly found himself among the crowds waiting for the ferry at Liverpool’s Pier Head. Commuters weary after a long day’s toil, elderly couples gazing out at the Mersey in comfortable silence, teenage girls sporting shell suits, hair swept into side ponytails. “There were always loads of people at the Pier Head because it’s a terminus for the whole of Merseyside,” Wood says. “Coming home I’d find I’d just missed a ferry. You’ve got at least 20 minutes to wait for the next one so what do you do? You take pictures.” Now some 70 of Wood’s photographs of the Pier Head, shot between 1978-2002 and never previously exhibited, have gone on display at the Centre Photographique at Le Pôle Image Haute-Normandie as The Pierhead – L’Embarcadere, 1978-2002, part of a mini season of shows. Previous exhibitions by Stephen Gill, Michael Wolf and Eamonn Doyle also focused on very small geographical areas – the latter just two streets, explains the exhibition’s curator, Raphaëlle Stopin. “I was interested in …


How to Shoot the Perfect Portrait: Francesca Allen

Portrait of Britain is inviting photographers to submit images that reflect the unique heritage and diversity of our country and show the face of modern Britain. 100 winning portraits will be selected for a public exhibition showcased nationwide in September 2016. DEADLINE TONIGHT – enter now. We’re asking portrait photographers what goes into making the perfect portrait – this week we hear from Francesca Allen.  In your view, what makes a compelling portrait? Colours, emotion, movement. I like to see that the image was part of a wider story, rather than someone sitting on chair for half an hour. There’s no recipe for a perfect portrait. The most beautiful portraits are those with a thumb over the lens and a blinking subject – what could be more honest than that moment of accidental unawareness?             What attracts you to a potential subject? I’m fascinated by the different ways people react in front of the camera, either by becoming totally in control of themselves or regressing into shyness. It’s a way of learning about myself too. I think that’s …


BJP Staff