All posts tagged: V&A

A huge survey show of British landscape photography opens at Towner

“It’s got nothing to do with Brexit or Europe!” says curator Greg Hobson. “I think we can’t begin to understand that yet. It’s just being addressed by photographers now. We’re discussing the exhibition A Green and Pleasant Land – British Landscape and the Imagination: 1970s to Now, which he’s curated with Brian Cass, head of exhibitions at Towner Art Gallery, and which recently opened at the Towner. Including over 100 works by 50 artists (52 if you count the people in duos separately), it’s a major survey of the land we live on and how photographers have shown it, including image-makers such as John Blakemore, Thomas Joshua Cooper, Fay Godwin, John Davies, Paul Graham, and Theo Simpson.

2017-10-13T15:55:08+00:00

Tate Britain appoints Kate Bush to the new post of Adjunct Curator of Photography

Tate was famously slow to institutionalise photography, staging its first photography show (Cruel + Tender: The real in the 20th century photography) in 2003, and appointing its first photography curator, Simon Baker, in 2009. Now, hot on the heels of its acquisition of Martin Parr’s 12,000-strong photobook collection, its now made another major commitment to photography, appointing Kate Bush in the new post of Adjunct Curator of Photography. Bush, who was previously Head of Photography at the Science Museum Group, and prior to that Head of Art Galleries at the Barbican Centre in London, starts at Tate Britain in October.

2017-10-05T12:12:06+00:00

Martin Parr’s Foundation opens to the public

Martin Parr has found a permanent home for the foundation he set up in 2014, giving visitors access to his archive and to his formidable collection. “I’ve been very lucky,” he told BJP’s Gemma Padley. “I have secured a very good living from doing this, and so the foundation is a great way to feed some of that back into the system.”

2017-09-19T12:08:28+00:00

Any Answers: Charlotte Cotton

The British curator spent 12 formative years working at the V&A. And in the 12 years since, she’s done the opposite, moving from post to post either side of the Atlantic, including senior directorial and curator positions at the Los Angeles County Museum of Art, the National Media Museum and ICP. She has written numerous books, including two notable surveys, The Photograph as Contemporary Art (2004) and Photography is Magic (2015). This article was first published in BJP’s April issue, available from www.thebjpshop.com My first encounters with photography were through my parents, who are furniture historians and had a photo studio at home. I loved the precision and drama of the photo shoot, even when the subject was just a chair! My dad took me to see an exhibition of pre-Revolution Russian photography at Oxford’s MoMA when I was a teenager. This was when I fell in love with photography. I look back at my years at the V&A as a time of incalculable learning. I learnt how to communicate, how to be helpful, to …

2017-04-06T15:02:54+00:00

The V&A announces a new Photography Centre in London

Designed by David Kohn Architects, the new centre will open in Autumn 2018 and more than double the V&A’s current photography exhibition space. The opening will be accompanied by a museum-wide photography festival, a new digital resource, and a new history of photography course run with the Royal College of Art. The V&A plans to run events and activities in the new centre, and will continue to expand the facility. Phase Two will see the museum add more gallery space, and create a teaching and research facility, a browsing library, and a studio and darkroom which will enable photographers’ residencies. The new centre comes as the V&A transfers the Royal Photographic Society’s collection from the Science Museum Group, which was formerly held in the National Media Museum in Bradford. The transfer adds over 270,000 photographs, 26,000 publications, and 6000 pieces of equipment to the V&A’s holdings – which was already one of the largest and most important in the world, including around 500,000 works collected since the foundation of the museum in 1852. The RPS collection includes …

2017-06-13T15:17:45+00:00

From the archive… the long-simmering feud over housing Britain’s photography

News that the National Media Museum is losing the world-class RPS Collection to the Victoria and Albert Museum had us delving into our archives for some background. There is history between these two, as our 4 March 1982 edition attests, reporting open warfare between the museums long ahead of the Bradford opening. In our leader, ‘Whither Bradford’, published more than a year ahead of the National Museum of Photography, Film and Television’s opening, the unnamed writer (most likely then-editor, Geoffrey Crawley) charts a public spat that contrasts sharply with the cloak-and-dagger spin employed today. “Since the formal announcement of the go-ahead of the Bradford Museum was given last year, the Director of the Victoria and Albert Museum, Sir Roy Strong, has been sounding off in the public prints with objections based on the belief that the new museum would be overlapping unnecessarily with the V&A photographic collection. His criticisms were particularised to the point of maintaining that the V&A was deliberately kept out of the picture until after the press conference 130 Archive at which …

2016-05-19T15:38:26+00:00

400,000 photographs to be moved from Bradford to London to create world’s largest imagery collection

More than 400,000 photographs and related paraphernalia held at Bradford’s National Media Museum will be transferred to the V&A, making the London-based museum the single largest collection of photography in the world  – a move that will see, “in the short term”, the permanent gallery space dedicated to photographs at the V&A doubling in size. The collection being transferred encompasses vintage prints, the world’s first negative, unique daguerreotypes and early colour photographs, as well as important albums, books, cameras and the archives of major photographers. The collection – which includes frontier photographers like William Henry Fox Talbot, Hill & Adamson, Roger Fenton and Julia Margaret Cameron, holdings by classic artists like Alfred Stieglitz, Alvin Langdon Coburn, Gertrude Käsebier, Paul Strand and Ansel Adams, and contemporary photographers like Martin Parr, Sarah Jones, Susan Derges and Simon Roberts – will be made available to the public in a collection titled The International Photography Resource Centre. Rarities in the collection Oscar Rejlander’s 1857  composite The Two Ways of Life, Mervyn O’Gorman’s 1913 autochrome Christina, Yusuf Karsh’s iconic Winston Churchill portrait and Angus McBean’s surreal study of …

2016-02-02T13:10:54+00:00

Horst’s High Style at The Düsseldorf Photo Weekend

Horst Paul Albert Bohrmann, later known as Horst P. Horst, is to receive his first major retrospective in the country of his birth at the fifth edition of the Düsseldorf Photo Weekend. An icon of fashion photography, Horst photographed more than 90 covers for Vogue, including Marlene Dietrich, Salvador Dali and Rita Hayworth. With more than 250 photographs from a 60-year career on display, the exhibition shows Horst’s central casting in Paris’ 1930s fashion scene – known now as the golden age of couture. Organised by London’s Victoria and Albert Museum, the exhibition takes its cue from the original London show, which orientated Horst’s images in near-darkness, with black and white photographs only illuminated by spot-lights. This is something of a homecoming for the photographer who coined the famous term: “Fashion is an expression of the times. Elegance is something else again.” Horst was born in the East of Germany in 1906. As a 24-year-old, he moved to Paris to study architecture under the iconic Le Corbusier, before meeting, and becoming the lover, of the French Vogue photographer George Hoyningen-Huene. …

2016-01-19T18:29:08+00:00

BJP Staff