All posts tagged: Vicente Paredes

Vicente Paredes’ hard-hitting Pony Congo goes on show at Espace Images Vevey

Contrasting images of children shot in Congo and in Spain, Vicente Paredes questions perceptions of wealth and happiness, freedom and self-consciousness. Pony Congo is now going on show at Espace Images Vevey; this is an update of a BJP interview first published in 2016. “You have to bear in mind that the kids in my book will never meet in real life. It is the viewer who must imagine what would happen if they were to meet. Ideas such as colonialism, misery, pity and mistrust are in our minds, not in the pictures themselves.”

2017-11-16T12:18:18+00:00

BJP #7844: Shooting the Rich

When does campaigning documentary photography become political art? Probing this question is at the heart of the latest issue of BJP, which looks at contemporary depictions of wealth and the structures that support it. The global financial crisis of 2007 and 2008 has provoked an outpouring of feeling towards the so-called ‘one percent’ and a new wave of creative responses. It’s a subject that’s having a moment, and rather than the traditional documentation of marginalised communities we’re seeing photographers who are turning their cameras towards the wealthy and privileged. We’ve just scratched the surface in this issue, which features seven recent series, one curatorial project and one archival body of work recently published as a book. But in producing it, we hoped to find out how these projects were made – and perhaps more importantly, why. There’s a range of styles on display that interrogate these ideas in complex ways: while Dougie Wallace has shot in-your-face street portraits, using a flash “to bring out the ridiculous in the situation”, Zed Nelson doesn’t want to “vilify” …

2016-02-02T13:56:32+00:00

BJP Staff