The biggest photo fair in Europe, Paris Photo returns from 08-11 November, with a new section on erotic images, and a walk-through focusing on female photographers.
Curated by Martha Kirszenbaum, curator of the French Pavilion at the 2019 Venice Biennale, the Curiosa sector will bring together intimate images by 13 artists such as Nobuyoshi Araki, JoAnn Callis, and Antoine d’Agata. Kirszenbaum hope to challenge the viewer’s gaze on the fetishised body, and tackle “relations of power, domination, and gender issues”. “There are images not everyone would like to see, which I think is good,” Kirszenbaum told BJP in an article published in our November issue.
“I never thought of myself as doing anything other than telling stories,” said Erich Lessing. “The camera became the medium through which I did that, but I don’t carry a camera everywhere I go. To me, it is simply the means to a very specific end. I observe the world through my eyes and not through the viewfinder of a camera. I don’t interpret, nor do I adjust anything in the dark room. I am a realistic photographer.”
They’re modest words from a man who created iconic images of the 20th century, and who was a member of Magnum Photos for well over half a century. His photographs of the Hungarian revolution in 1956 were seen around the world, as was his shot of the presentation of the Austrian State Treaty on the balcony of the Belvedere palace in front of a cheering crowd in 1955.
Intrigued by the unknown and obscure, the Austrian photographer delves beyond what first meets the eye
With her distinct photographic style, the Austrian photographer is uniquely positioned to capture the different characters of her sitters
“They are places you go to when you’ve lost everything – but not before,” says Klaus Pichler of the Viennese bars that feature in his latest book, Golden Days Before They End, released in June and now in its third reprint. It’s one of two books Pichler shot in 2016. The other, This Will Change Your Life Forever, currently in the design stage and due to be published in October, is a sarcastic critique of the esotericism industry and the photography that feeds it. Pichler collaborated on Golden Days with journalist Clemens Marschall, who was familiar with Vienna’s rapidly disappearing old dive bars and the often ‘colourful’ patrons that clung to them. “Clemens has always gone to these bars,” explains Pichler. “He doesn’t like to go to fancy places. Five years ago he noticed that these bars are beginning to close down because of increased regulation, an inability to adapt to a changing city, and a dying clientele.”
Cats may have nine lives, but since curiosity killed the cat it’s probably a good thing. All these cats have been caught mid-jump, flying through the air by photographer Daniel Gebhart De Koekkoek. These seemingly acrobatic feats see our agile pets leaping across entire rooms, suspended before they come back down to earth. An entertaining series that taps into the popularity of the jumping photograph phenomenon.
Thomas Albdorf’s still lifes are never quite what they seem – the more you look, the more the perspectives, shapes and colours shift, reflecting the Austrian photographer’s interest in manufacturing beauty and uncertainty out of the seemingly mundane. “What fascinates me when I look at art created by other people is how they engage with simple objects within their immediate reach,” he says. “I feel drawn to people who manage to create something very beautiful and charming out of almost nothing.” Albdorf’s immediate surroundings are the outskirts of Vienna, an area he wandered in search of raw material for his Former Writer series. Seizing on wood, wire, tyres and fridges, he created a kind of ‘edgelands’ trash art, sometimes adding paint to enhance the sense of uncertainty. “I used to do graffiti writing but I stopped at an early age because it’s quite superficial,” he says. “But as I was wandering the peripheries of Vienna, I saw tags and I wanted to use a spray can again. “I like the idea because one of the easiest tools to use …