All posts tagged: war

Rifles, surveillance and civilians in Kratsman’s The Resolution of the Suspect

“I have to be scared, because the moment I’m not scared it might be dangerous.” Miki Kratsman has found himself in a number of difficult and dangerous situations over the course of his 33 year career photographing the Israeli-Palestinian conflict. In that time, he has repeatedly changed his approach to create different narratives, showing not only the danger in the region, but those brave enough to stand up to the attacks, the pernicious nature of surveillance and latterly creating a Facebook community to share news of what has happened to the subjects of his photographs.

2017-08-15T10:31:50+00:00

The lasting effects of World War Two in Veterans

A young boy who became a French resistance fighter as just a teenager; a German fighter who lost an arm; a Kazakhstani field nurse; an Indian deployed to fight the Japanese in Burma; a Holocaust survivor who is today a Donald Trump supporter. Sasha Maslov’s photobook Veterans travels the world to meet with some of the last surviving servicemen and women of the Second World War, a conflict whose impact is still being felt some seven decades after the conflict finished.

2017-08-16T14:24:18+00:00

#BJP 7863: Invisible World

The September issue brings the otherwise invisible into sharp focus. Invisible World explores forgotten conflicts, intimate retreats, abused landscapes and remote islands to uncover the hidden realities and unknown societies behind ordinary backdrops. “As social beings, we all demand to be seen,” says Hoda Afshar, whose latest series, Behold, takes us to an exclusive male-only bathhouse. Her point resonates with all the photoseries explored in this issue: how do we negotiate our surroundings, how do we see our societies, how do we interpret our world? We need to first see the invisible to answer these ever salient questions.

2017-08-01T11:34:26+00:00

Dara McGrath unearths dark landscapes with Project Cleansweep

In 1942, the Ministry of Defence launched Operation Vegetarian, a series of experiments which released lethal Anthrax bombs against cattle on Gruinard Island. The weapons were more successful than even the Ministry of Defence had anticipated and the island was declared a no-go zone for decades. This is not a unique story: Dara McGrath’s photoseries Project Cleansweep investigates over 60 sites around the UK which have been used by the MoD for the testing of biological and chemical weapons throughout the 20th century.

2017-07-28T16:15:17+00:00

Reimagining War Beyond its Exceptionality

The inescapable horrors of war have arguably come to define our modern world. With the ongoing refugee crisis, the endless atrocities unfolding at the hands of ISIS and the Yemen war making headlines, both domestic and international conflicts continue to mark our global landscape.  Though the world has become a much less violent place since the end of the Second World War, the last decade has seen an increase in terrorism and violence – with the Institute for Economics and Peace (IEP), finding that out of 162 countries, only 11 of the world’s nations are in a full state of peace. In our ever globalised world, these conflicts will continue to effect us, both at home and abroad. Traces of War is a major new exhibition which seeks to show that war is not confined to moments of crisis or battlefield locations; but rather a force which disrupts the normality of everyday life. Internationally renowned artists Jananne Al-Ani, Baptist Coelho, and Shaun Gladwell explore the most enduring, and, some would argue, most dangerous aspect of conflict – its presence and intersection with …

2016-10-28T17:20:16+00:00

Looking into the eyes of Iraqi detainees

More than a decade has passed since we first saw the horrors of Abu Ghraib, but they remain seared into our collective memory. Piles of bruised, naked bodies lorded over by grinning soldiers, collared men dragged across the floor with dog leashes, triumphant posing over mutilated corpses and, most strikingly of all, a hooded man balanced in a box with electrodes wired to his fingertips. These were tortures explicitly authorised by the US Government. Their aim? To erase the humanity of the detainees. Chris Bartlett chose to address this injustice through photography, using his camera as a tool to restore the humanity and identity of the subject. The result is a powerful series of black and white portraits of Abu Ghraib detainees, accompanied by a brief explanation of the tortures they suffered. The effect is searingly humanising. Bartlett’s photography has the effect of erasing nationality, religion, class, even to some extent, ethnicity. BJP spoke to him about the genesis of the project, it’s intent and how it continues to evolve. How did the project begin? “Back …

2015-11-03T12:47:29+00:00

Welcome to Donetsk: postcards from a war zone

In 2014 while working on a project about European population decline, Anastasia Taylor-Lind found herself in eastern Ukraine as protests against the government of Viktor Yanukovych gathered pace in the capital Kiev. Relocating to cover events in the Maidan or Independence Square she produced a series of portraits of those involved in the protests, which led to her first book, Portraits from the Black Square, published last year by GOST. The upheaval in Ukraine did not end with Yanukovych’s flight from the country, and Taylor-Lind felt compelled to keep telling stories in Ukraine. Returning to photograph in the increasingly restless east of the country proved to be an exasperating experience, however. “I felt a similar frustration in Maidan, I’d felt it in Libya and then I felt it again in the east. I wasn’t contributing anything to the documentation of what was happening there – I was just making pictures [that] already existed.” She describes feeling a “growing frustration about the way we tell war stories in the mass media, and I have been complicit in this. I think …

2015-09-16T15:12:43+00:00

James Nachtwey – The Improviser

James Nachtwey stretches his arms across the sofa and pauses to think. He’s just declined to answer whether he ever has nightmares, and now he’s fielding a question that every war reporter has faced; has he ever truly feared for his life? He recalls covering the civil war in Sri Lanka. He was embedded with one of five rebel groups, but the Tamil Tigers, the main insurgent group, were taking out their opposition one by one. He was on an island off the Jaffna peninsula, hiding out. The position was being over-run, and the native New Yorker was completely isolated, unable to get out. He found a Catholic monastery, and hid. In a church in outer Sri Lanka, he found a copy of Shakespeare’s Romeo and Juliet, and he read it. He stayed there for three weeks, trying to focus on Shakespeare, until he found the chance to escape back to the mainland and to safety. “That was the first time I really thought I wasn’t going to make it,” Nachtwey says, his voice even. “Parts of my life I’d thought I’d …

2015-08-21T13:25:48+00:00

Olga Matveeva – Feud

“Our relationship was strong, sophisticated,” says the Russian photographer Olga Matveeva. She had just graduated from Rodchenko Moscow School of Photography when, together with her boyfriend, they decided to move from Moscow to Crimea, for the winter at least, “and probably for longer”.  They were sharing a home, deeply in love. “But suddenly, something changed in the air,” she tells BJP from Moscow. “Everything became serious, frightening. Everyone stopped trusting each other.” The protests began in Kiev’s Maidan Square. Then, with a slow inevitability, Ukraine fell into war with its old master. Matveeva and her boyfriend found themselves sitting on the sofa, watching TV, comparing the news coverage of Putin’s coded invasion of Ukraine and the eventual annexation of Crimea. It was, says Matveeva, “a strange kind of entertainment”. As they flicked from Ukrainian to Russian to European TV channels, she started to come to terms with her situation. “I realised we were not a couple anymore, because we were not willing to give support to each other,” she says of her lover. So began Feud, a photography project …

2015-04-17T18:44:18+00:00

Emine Gozde Sevim – Embed in Egypt

BJP

A fortnight after Emine Gozde Sevim arrived in Arizona as a high school scholarship student, two planes crashed into the World Trade Center. “It made me realise how powerful an image can be – how pictures can serve as a record,” she says, by phone from her apartment in New York. “If nobody makes a record, we can’t connect to what happened in the same way.” She took up photography soon afterwards. As a child, Sevim had adored making little films with a video camera but, until 9/11, she’d had no real contact with photography proper, she says. She grew up in Istanbul, “which differs from the rest of Europe – visual culture is not paid much attention”. Born in Turkey, with Afghan roots on her mother’s side, she felt personally as well as intellectually affected by 9/11. “It felt like a big historical breaking point, that the world was separating into East and West, more distant than they had ever been,” she says. “I was being educated in America, and I come from a …

2015-04-17T13:57:18+00:00

BJP Staff