All posts tagged: World Press Photo

Arles 2017: Q&A with Jacob Aue Sobol

Born in Denmark in 1976, Jacob Aue Sobol studied at the Fatamorgana Danish School of Art Photography from 1998-1999. In Autumn 1999, he went to live in the Tiniteqilaaq settlement in Greenland, and mainly stayed with his Greenlandic girlfriend Sabine and her family for the next three years. The resulting book, Sabine, was published in 2004, and nominated for the 2005 Deutsche Börse Photography Prize. In 2005, Aue Sobol travelled with a film crew to Guatemala, to make a documentary about a young Mayan girl’s first journey to the ocean. The following year he returned alone and he met the indigenous Gomez-Brito family, and stayed with them for a month. His story on the family won the Daily Life Stories award in the 2006 World Press Photo.  In 2006 he moved to Tokyo, and shot a series of images that won the 2008 Leica European Publishers Award. I, Tokyo was published by Actes Sud (France), Apeiron (Greece), Dewi Lewis Publishing (Great Britain), Edition Braus (Germany), Lunwerg Editores (Spain) and Peliti Associati (Italy). Sobol became a nominee at Magnum Photos in 2007, and a full member in 2012. Aue …

2017-08-10T12:10:29+00:00

Festivals: Visa Pour l’Image returns for the 29th time

The Visa Pour l’Image festival returns for the 29th time – to “turbulent time”, in which “photojournalists are obviously needed, and play an essential role which is now more important than ever” as the co-founder and director general Jean-François Leroy puts it

2017-06-29T12:32:59+00:00

Musuk Nolte’s Open Mourning remembers Peru’s ‘disappeared’

“I think politics affects every decision in daily life – it’s hard to remain on the sidelines,” says Musuk Nolte. “For me, photography is a visual element to work on these very complex issues. “With all the problems we have in our country, we have the responsibility to leave a visual document,” continues the photographer, who was born in Mexico in 1988 but is now a naturalised Peruvian.”I felt the desire to leave a document of what was going on, that it could serve as a visual and historical record. It was my way of relating to my country, but it’s important that this work also has an impact outside the community.” A documentary photographer focused on social and political issues, he has been just nominated to join the prestigious Joop Swart Masterclass organised by the World Press Photo, and won a scholarship from the Magnum Foundation to finish his project Open Mourning. It’s a series tackling a difficult episode in Peruvian history – the conflict between the State and a terrorist group called Sendero Luminoso between the late 1980s to the 2000s, …

2017-03-30T10:50:21+00:00

World Press Photo’s Lars Boering and the fight against “fake news”

Lars Boering, managing director of World Press Photo, joined the organisation in January 2015, just before that year’s prize was announced. It was an award beset with issues, as it emerged that more than 20% of the final-round entries had been disqualified for image-manipulation; then one of the winners – Giovanni Troilo, who had won first prize in the Contemporary Issues – Story category – was disqualified, when World Press found that an image he said had been shot in Charleroi, Brussels had been taken in Molenbeek. Boering countered with a new code of ethics for entrants, which meant that images submitted to the 2016 prize were more thoroughly checked – and were found to be less prone to manipulation. This year the issue with manipulation was at about the same level as in the 2016, he says, which leaves him to conclude that “it is still a very big media challenge”. “It’s not about World Press Photo, it’s industry-wide and we need to debate it,” he tells BJP. “It is something we feel very strongly about – there …

2017-02-13T17:31:06+00:00

Washington Post’s Age of Walls wins WPP’s Innovative Storytelling Prize

Donald Trump’s Mexican wall may have got the headlines over the last year, but walls – in a very physical sense – are being built between nations all over the world, at a pace and urgency under-reported by the world’s most viable media organisations. “In many ways, the barrier-building is being driven by fear,“ The Washington Post wrote in the introduction to New Age of Walls, a multimedia investigation detailing each of the 63 border walls and barriers, many of them newly constructed, that are now dividing nations across four continents. New Age of Walls was the winner of the Innovative Storytelling category in World Press Photo’s Digital Storytelling contest, an award for a piece of journalism designed specifically for the online space. “Most of the new walls are being erected within the European Union, which until recently was nearly borderless,” The Post wrote. “Britain is going further, rolling up its bridges to the continent by voting to exit the E.U. “Intended to counter migrants and terrorist attacks, these moves are not limited to Europe. In the Middle …

2017-02-16T13:02:33+00:00

WPP-winning image “a staged murder for the press” says jury chair

“It’s a great news picture in the traditional way, and obviously the photographer himself demonstrated an extraordinary amount of composure to get it,” says Stuart Franklin, chair of the 2017 World Press Photo jury, of the winning image this year – which shows Mevlut Mert Altintas shouting after shooting Andrei Karlov, the Russian ambassador to Turkey, at an art gallery in Ankara, Turkey. “But it is a staged murder for the press in a press conference, so there will be questions. It is a premeditated, staged murder at a press conference, which arguably you could put in the same envelope as the beheading of a prisoner in Raqqa [Syria]. I think that’s the dilemma one has about the picture.” And, continues Franklin, while he can’t go into detail about the judging process, “I can tell you, I didn’t vote for the photograph because of that dilemma”. “It is the moral issue that is a concern for me, personally,” he adds. For Franklin, Burhan Ozbilici’s series made a worthy Spot News winner, and he adds that “he did his …

2017-04-04T11:42:51+00:00

Burhan Ozbilici wins the World Press Photo of the Year

Burhan Ozbilici wasn’t even working when he shot his World Press Photo-winning image – he was catching up with a friend, in an art gallery 150m from his home in Ankara. But, as the exhibition was a series of images of Russia, and the Russian ambassador Andrei Karlov was giving a speech, the Associated Press photographer “decided to do my job” and took his camera along. Standing “two or three rows back” with the other members of the press, he started to record the unremarkable moment – then found himself at a murder scene, as gunman Mevlüt Mert Altıntaş shot the ambassador dead, then stopped to proclaim “revenge for Syria and Aleppo” over his body. “I immediately understood it was a very important incident,” says Ozbilici. “Everyone ran away and threw themselves on the ground, or behind walls, or under tables, shouting and panicking. I thought running away was not a solution anyway, and decided to remain calm to risk antagonising the gunman further. I just kept shooting, changing my position to get a better angle, trying to capture this …

2017-04-04T11:43:22+00:00

 World Press Foundation and #DYSTURB Bring Photojournalism to the Streets of Amsterdam

Co-founded by photographers Pierre Terdjman and Benjamin Girette, #Dysturb is a photojournalism movement “driven by the desire to make information freely accessible through the use of urban spaces. “By taking on public spaces with human scale pictures, #Dysturb cut out from traditional publishing avenues and offers a new visibility to photojournalism,” is how the network of photographers describe their work. The photography will be projected onto Amsterdam’s streets during the World Press Photo’s Award Days, and the city’s Festival of Free Speech, an event organised primarily by The Press Freedom Committee and comprising the Dutch Association of Journalists (NVJ) and the World Press Photo Foundation. Lars Boering, head of World Press Photo, says of the partnership: “People deserve to see their world and express themselves freely. We are celebrating visual journalism at our Awards Days, and see this as an ideal moment to highlight photography and freedom of speech in various ways, leading up to the Festival of Free Speech, 3 May. “The diminishing readership and decline in advertisement revenue in traditional media outlets has resulted in a …

2016-04-22T14:28:47+00:00

Hasaka, Syria - August 1, 2015. A doctor rubs ointment on the burns of Jacob, 16, in front of a poster of Abdullah Ocalan, center, the jailed leader of the Kurdistan Workers' Party, at a YPG hospital compound on the outskirts of Hasaka. According to YPG fighters at the scene, Jacob is an ISIS fighter from Deir al-Zour and the only survivior from an ambush made by YPG fighters over a truck alleged to carry ISIS fighters on the outskirts of Hasaka. Six ISIS fighters died in the attack, 5 of them completely disfigured by the explosion (c) Mauricio Lima for The New York Times

Giving a human face to ‘the other side’ at this year’s WPP

“Mauricio Lima’s image of the young Islamic State fighter is fascinating,” says Vaughn Wallace, who was on the Documentary jury of the World Press Photo competition this year. “It’s quite possibly the first time an Islamic State fighter has been portrayed on such an intimate, visual level.” As Wallace says the image, which shows a 16-year-old fighter named Jacob being treated for severe burns, puts a very different face on a figure usually vilified in the Western media – but for Wallace, this is one of the things that helped win it first prize in the General News Singles category. “Mauricio’s image really stands out in contrast to the ways we typically engage with the IS visually, often through propaganda sourced from social media,” he explains. “Mauricio’s image tells a story and gives a human face to ‘the other side’, sitting in the same tradition as Ghaith Abdul-Ahad’s work embedded with Al-Qaeda in Yemen and Kate Brooks’ photographs of government forces during the early years of the Syrian Civil War. Images like Mauricio’s provide context and perspective to multi-dimensional, highly-political conflicts.” Wallace is the deputy photo editor at Al Jazeera America, the international news broadcaster part-funded …

2016-02-19T13:58:25+00:00

BJP Staff