Photographer Mark Neville explores childhood play after commission by The Foundling Museum

At a time when up to 13 million children have been internally displaced as a result of armed conflict, photographer Mark Neville presents a series of images of children at play in diverse environments around the world.
Immersing himself in communities from Port Glasgow to North London, and in the war zones of Afghanistan and Ukraine, the series is a celebration of the thing that all children, regardless of their environment do – play.

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Mark Neville, ‘Boy with Hoop in Kakuma Refugee Camp, Kenya’, 2016
The exhibition includes new photographs of internally displaced children in Ukraine; residents of Kakuma, Kenya’s second largest refugee camp, and depictions of children at play in London adventure playgrounds.
Through his photographs Neville captures children’s spontaneous urge to play and their determination to do so in the most unfavourable environments. His images reveal how, through play, children claim a place of power, safety and freedom.
Presenting the images on display along with an overview of the groundbreaking work in the field of child’s play, a book will seek to raise awareness of this universal right, and also focus attention on attitudes towards play in the UK and how the conditions for children can be improved.
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Mark Neville, ‘Child, Jacket, Slaughtered Goat, Sweets, Painted Nails, Xmas Day, Helmand’, 2010,
Adrian Voce – playworker, writer and former director of the campaigning body Play England – gives an overview of the national and international work in the field of child’s play, alongside a review of cultural representations of children at play and historical attitudes towards childhood, as seen through the prism of the Foundling Hospital, by curator Nicola Freeman.
Copies of the book will be disseminated free to key policy makers and government departments, experts in the field, and to each of the UK’s 433 local councils, in order to directly impact upon government policy thinking and strategy.
A symposium on 20 March will explore the issue of spaces for play, looking at the real and imagined barriers to play in our cities, and focusing in particular on the privatisation of space.
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Mark Neville, ‘Arts and Crafts at Somerford Grove Adventure Playground’, 2011, courtesy Alan Cristea Gallery
In the context of the Museum, the idea of spontaneous play is set against the institutional play evidenced at the Foundling Hospital through archive photographs and film footage.
Founded in 1739, the history of the Hospital mirrors the growing recognition of the distinctive needs of children, and the role of play in their lives – from the proliferation of children’s toys and books in the 18th century and campaigns for playgrounds throughout the 19th century, to the closing of the Bloomsbury estate in the early 20th century, now within a fully developed area of London, to give the children better access to fresh air and nature.
Mark Neville said: ‘The right of the child to play a barely discussed, yet fundamental human right.
“We aim to use the Museum as a space for debate and an instrument to improve the rights of vulnerable children.
“By addressing the issues through three symbiotic strategies – an exhibition at the Museum, a hardback photobook with a targeted dissemination, and a symposium – we believe we can really make an impact on this forgotten right.”
Caro Howell, Director of the Foundling Museum, said: “Play is creative, disruptive and a universal human drive. Mark Neville’s powerful images demonstrate its essential role in enabling a child to make sense of the world and to shape their place in it, no matter how challenging the environment.”
Child’s Play is on show from 3 February – 30 April 2017 at The Foundling Museum, 40 Brunswick Square, London WC1N 1AZ.
More information is available here.

Tom Seymour

Tom Seymour is an Associate Editor at The Art Newspaper and an Associate Lecturer at London College of Communication. His words have been published in The Guardian, The Observer, The New York Times, Financial Times, Wallpaper* and The Telegraph. He has won Writer of the Year and Specialist Writer of the year on three separate occassions at the PPA Awards for his work with The Royal Photographic Society.