There are few things, if any, that photographers have not captured, but the fast changing worlds of engineering and technology offer endless interest, intrigue and innovation.
With a focus on technology and engineering, the IET International Engineering Photography Competition is currently open for applications. With this in mind, we spoke to Reiner Riedler, a photographer whose projects focus on technological development, to find out more about his work and our increasingly personal and emotional relationship with technology.
A bedside vigil for his baby son at a neonatal intensive care unit inspired Reiner Riedler’s series WILL: The Lifesaving Machines. Sitting in that darkened space, watching his tiny boy being cared for by high tech medical equipment to a soothing soundtrack of gentle beeps, the Austrian photographer felt grateful for these remarkable machines.
“Normally you don’t consider technology to be emotional,” he says. But this was an “emotional story” – and one he had to tell.
Initially he considered a reportage-style approach but that didn’t feel right. Instead his pictures show dialysis machines, respirators, artificial hearts and other equipment, beautifully-lit against plain, often jet black, backgrounds. Removed from the drama of a healthcare setting, they take on a wonder of their own. A glass anatomical model of a heart sparkles silver in the light like a precious gem; the hole on a CT scanner was shot to resemble a human eye.
“At the beginning I felt really stupid talking to doctors,”says Riedler. Painfully aware of his limited knowledge in this highly specialised field, he found himself adopting a pseudo-scientific approach, attempting to produce a survey of all the machines. “At a certain point I realised it’s not about that,” he recalls. “I’m not a medic, I can decide myself what I want to show and if I leave some machines out, it’s fine. So I completely mixed historical and modern machines.”
After photographing machines currently used in hospitals, Riedler went on to capture pioneering models still being manufactured in factories and older examples of medical operations – including a trepanated skull, a stone age procedure where a hole is made in the skull. “Most of the machines are very expensive and heavy so I always brought the studio to the places where the machines were,” he admits. “My car was full of lights and backgrounds, black paper or coloured paper.”
Prior to this project, Riedler had had a more conventional approach, producing documentary series on fetish clubs, fake holidays and Russian circus people. However, he became “completely bored” with the genre. “I felt that all photographers were doing the same photography.” His Life Saving Machines project heralded a kind of personal creative renaissance. Around the same time he produced several other projects related to technology and engineering. The Unseen Seen is a study of film rolls from The Deutsche Kinemathek archive and museum in Berlin, while Memory Diamonds is about a machine that can create a diamond from a dead person’s ashes.
Nonetheless, Riedler sees a continuity. “All my work looks at humans and how they behave,” he says. “The machines are the key to something much bigger. It’s like when you open the door, you enter and in another room you discover another universe that was hidden before.”
Just as photographers can find a new source of inspiration by shooting technology, they can also reveal an enlightening new perspective in the resulting photographs.This is the thinking behind the IET International Engineering Photography Competition.
“Traditional images of engineering and engineers have focused on hard hats and dirty overalls,” says IET President Jeremy Watson CBE, who is part of this year’s judging panel, along with Nigel Atherton from Time Inc UK and Gillian Abbott of E&T magazine.
“The aim of this competition is to help banish the outdated perception that engineers just fix or mend things and show the vital role that they play in a variety of sectors, such as: healthcare, transport, humanitarian crises and space technology,” Watson adds.
In our globalised age, says Riedler, we have seen so much about the world that it is easy to feel jaded but technology still offers infinite surprises for photographers. “It comes back to the idea of discovery. Think of the first images of running horses – before photography, painters painted them wrong. With long exposures you can visualise time passing. I think this is the nature of photography,” he says. “To show something that cannot be seen with your eyes.”
Photographers can enter up to five recent images to the IET International Engineering Photography Competition across five categories: Design & Production, Digital, Environment & Energy, Robotics, and Structures & Transport. It is free to enter, and winners will receive cash prizes and an exhibition at IET London: Savoy Place.
The IET International Engineering Photography Competition is open until 31 August. Apply now: Visit the IET website.
Sponsored by IET: This feature was made possible with the support of IET. Please click here for more information on sponsored content funding at British Journal of Photography.