In Trilogy, his first book published in English, Lu Nan connects with "something fundamentally and enduringly human" via images of rural Tibetans, Chinese Catholics, and psychiatric patients
“In 15 years, not a day went by when I didn’t question my own work,” says Chinese photographer Lu Nan, in an interview included in his new book Trilogy. “That’s why I scrutinise what I was doing by means of reading. This mode of assessing action through thought and assessing thought through action helped me to complete these projects.
“The trilogy is concerned with human beings. I hope that by looking into real life, I’ll find something fundamentally and enduringly human.”
Lu Nan isn’t well known outside China but this book, his first in English, should change all that. It collects together three projects he shot over 15 years – The Forgotten People, a look at the lives of Chinese psychiatric patients, shot from 1989-1990; On the Road, a look at the lives of Catholics in China, shot from 1992-96; and Four Seasons, a look at the lives of rural Tibetans, shot from 1996-2004.
These microcosms are apparently very different and yet, to Lu Nan, they’re intimately interrelated. Inspired by image-makers such as Josef Sudek and Sebastiao Salgado and extremely well-read, Lu Nan says the three projects represent the three states of life – The Forgotten People is about suffering and adversity, On the Road purification, and Four Seasons about a blessed, serene state. “As life unfolds, we all get a taste of these three life states to a greater or lesser extent,” he explains. “The soul’s paramount wish is to get away from suffering and, through purification, find its way to a blessed state of peace at heart. This wish is what connects the three parts together.”
“Goethe said that as long as we’re on the right path, there will be an intangible hand helping us,” he adds. “In 15 years of shooting for this trilogy, everything I experienced proves the truth of his statement.”