Why did you choose to use nailpolish?
It was an idea I came up with in La Puente with the women. I quickly realised the importance of providing anonymity and there was nail polish around, so we started using it. Magaly, a close friend from La Puente said, “While I was painting on my photo with nail polish, I was thinking about enhancing my beauty and covering my identity, and the rest there I left uncovered to be seen, because I’m always pretty, outside and inside.”
Much later I understood how well the nail polish and its symbolism for femininity worked with this project. I have been using nail polish ever since, even for the photos I take of myself. For me it is a great material, to paint, to cover, to enhance.
There are two important motifs: nail polish and urine. Together they provide a contrast that is reflective of your experience. The urine is masculine, and the nail polish is feminine. What are your thoughts on this?
I agree, and both have a strong smell too. While sitting in some parts of La Puente, there was a constant smell of ammonia and it’s invisible clouds. When I think about it now, the urine does represent men for me, naturally of course, they were the ones peeing. I was amazed on how little the men were ashamed while peeing in front of me and the other women. Maybe I gave it and them too much attention, because I was always writing my notes while sitting outside together with the men. I do prefer the smell and look of nail polish.
The book is just as much about your experience as it is about the women. Was it a reflective process for you?
With each encounter, I find myself more and more. This work was a huge reflective process for me. Spending a lot of time with the women, talking about sexuality, about being a woman, about intimacy, about fears, about existing structures, and ways out, was of course very empowering. I wished that I could have entered La Puente when I was 18 years old, when I first saw it from outside. Talking to Magaly and the other women back then would have had a big impact on me.
The work also assured me more in how I want to work as an artist. I want to explore the possibilities of participatory art, to push boundaries, challenge perceptions, and most importantly empower women. I can’t wait to go back to La Puente in a month, to show the women the book, and to start thinking with them about an exhibition in La Puente, and to continue our great conversations.