Author: Anya Lawrence

LUMIX Stories for Change: Frederick Paxton

LUMIX Stories for Change is an ongoing collaboration between British Journal of Photography and Panasonic LUMIX that celebrates the power of photography in driving positive change. This summer, three photographers will each be awarded a grant and a LUMIX S Series kit to create a new body of work around the themes Inclusion and Belonging. Below Frederick Paxton discusses what he has planned. “Often, complex systems of government and geopolitics dominate the narratives of certain countries and sport can offer an unexpected window into these worlds,” writes Frederick Paxton, a photographer and filmmaker based in London. “Through sport, you see expressions of both national and personal identity. By understanding the subculture of the sport you can begin to understand the society that it reflects.”  For his Stories for Change project, Paxton, who is represented by Academy‘s new stills agency, will immerse himself in one sport, in one country. The project could take a number of forms. Paxton wants to be led by the people he meets and the things he experiences — he is is open to the …


Announcing our second OpenWalls 2020 exhibition

Earlier this summer, we celebrated the opening of our very first OpenWalls exhibition in Arles, during the 50th edition of Les Rencontres d’Arles. We also welcomed entries to the second edition of the award, calling photographers to interpret the theme Growth. Now, Galerie Huit Arles is expanding next year’s exhibition space to accommodate the work of 20 winning images responding to the theme Daily Life. OpenWalls is an international award aimed at creating opportunities for photographers to exhibit their work around the globe. Following the success of our inaugural edition, next year, the OpenWalls exhibition will also take place in Arles. The award will culminate in two group shows held at Galerie Huit Arles, a 17th century mansion and gallery space that has been at the heart of photography in Arles for over a decade. The first group show, for which the open call ended earlier this summer, will feature 48 single images and two bodies of work. Entries to the second group show are now open; this will feature 20 winning images. The theme …


Women’s football: Taking up space

Alice Mann was selected for the adidas Breaking Barriers commission. Organised by Studio 1854 in collaboration with adidas, the project awarded Mann £10,000 to create a new body of work. Below, a handful of the players who Mann photographed reflect on the personal importance of football, together with the challenges that come with playing a sport often associated with men. The 2019 Women’s World Cup felt remarkably different to previous iterations. In the UK, the BBC committed to broadcasting every game on national television. Broadcasters around the world followed suit. Almost 59 million people watched Brazil play France, making it the most viewed women’s football match of all time. In the UK, audience figures totalled 28.1 million, amounting to 47 per cent of the television-watching UK population, while, in Holland, 88 per cent of Dutch television viewers watched the final. This was the country’s largest television audience since the men’s World Cup semi-final in 2014.  The impact of this should not be underestimated. With such a presence in the media, women’s football entered the mainstream. The …


LUMIX Stories for Change: Catherine Hyland

LUMIX Stories for Change is an ongoing collaboration between British Journal of Photography and Panasonic LUMIX that celebrates the power of photography in driving positive change. In August 2019, three photographers will each be awarded a grant and a LUMIX S Series kit to create a new body of work around the themes Inclusion and Belonging. Below Catherine Hyland discusses what she has planned. “The North Korean regime is something we all know about,” says Catherine Hyland. “We are completely fascinated by it, yet, when it comes to the community, there are very few people helping them.” For the last 18 months the London-based photographer has been attending K-pop competitions and church services in New Malden, spending time with North Koreans who have settled in London after fleeing their country.  “I’m trying to figure out a way to make something artistic that isn’t just exposing people who are already fragile,” says Hyland. Aware of the sensitive nature of the subject matter, and therefore the importance of forming relationships and gaining trust within the community, Hyland …


OpenWalls Arles 2020: An interview with Galerie Huit Arles

This year marks the launch of the second instalment of OpenWalls Arles, an award that elevates the work of emerging and established photographers by exhibiting their work in prestigious locations around the globe. For the second time, Galerie Huit Arles will host the OpenWalls Arles group exhibition which will coincide with Les Rencontres d’Arles, the world’s biggest photography festival. OpenWalls Arles 2020 centres around the theme Growth, inviting photographers to submit work that conveys a sense of change or transition; whether that is in the form of personal growth, or changes happening in nature and the environment. As we welcome submissions to this second edition, we revisit an interview with judge and exhibition host Julia de Bierre, the owner of Galerie Huit Arles. – Can you tell me about Galerie Huit Arles? In 2007, I was fortunate to find a semi-ruined 17th century mansion right in the historic centre of Arles, with an extensive ground floor ideal for art exhibitions, and rooms above for artists’ residencies. At that time, there were very few independent galleries …


Sophie Green: Congregation

“Shared stories bring people together,” says Sophie Green who, over the course of two years, photographed the Aladura Spiritualist African congregations of Southwark in south-east London. Also known as “White Garment” churches, Aladura is a denomination of Christianity predominantly practised by Yoruba Nigerians. Even though the faith has become synonymous with parts of London – Southwark holding the highest concentration of African churches outside the continent – it has been rarely documented. Curious about what glues individuals together as a community, Green asked a passing congregation member if she could accompany her that Sunday. On invitation, the photographer proceeded to “watch the seven-hour service in awe.” “There is a joy and energy in these congregations that I have never witnessed before,” Green explains. “The services are collaborative, and there is a freedom for people to express themselves and their cultural roots.” Such powerful unification over a belief, and the moving shared experience, triggered Green’s desire to document what she had witnessed. As well as honouring faith, these services are a way for the community to …


BJP Staff