A photographer’s view of the world from multiple perspectives
“I see my work as a kind of tapestry, which is woven by thousands of threads in order to create one image”
Author: Hannah Abel-Hirsch
Guanyu Xu reclaims his childhood home
Unbeknown to his parents, who are unaware of his sexuality, Xu returned home to create temporary installations exploring his identity in a space that has historically repressed it
Shirin Neshat: Unraveling the American Dream
In her latest body of work, the Iranian artist turns her lens to America, her host-country, offering a fantastical response to the tumult of the contemporary moment
Paper Geographies
A new exhibition considers the materiality of the photographic image and how it affects our understanding of the world
Beneath the surface of Katrien de Blauwer’s collages
A new body of work by the Belgium artist goes on show at the Musée des beaux-arts du Locle, Switzerland
An-My Lê’s The Silent General
Lê reflects on a significant strand of recent American history, touching on interweaving narratives, past and present
Claudia Andujar’s ongoing commitment to a community under continual threat
A monumental retrospective in Paris provides an urgent insight into the culture of one of Brazil’s largest indigenous groups and Andujar’s relationship to it
Snow as seen by Sohrab Hura
On his first visit to Kashmir, its beauty blinded Hura. The experience sparked an ongoing project on the region shaped by the snow that engulfs it
Alfredo Jaar: 25 years later
Over a quarter of a century since the Rwandan genocide, Jaar’s visual response to the massacre remains as poignant as ever
The immersive approach of Greg Day
Day photographed the spectacular performances of Stephen Varble and, in doing so, helped visualise a community “stigmatised for their gender nonconformity and sexual practice”
