Alfredo Jaar: 25 years later
Over a quarter of a century since the Rwandan genocide, Jaar’s visual response to the massacre remains as poignant as ever
Author: Hannah Abel-Hirsch
The immersive approach of Greg Day
Day photographed the spectacular performances of Stephen Varble and, in doing so, helped visualise a community “stigmatised for their gender nonconformity and sexual practice”
Colin Dodgson’s lyrical depiction of environmental conservation
Deeper Green charts the photographer’s journey through several of Belize’s protected reserves
Andrey Zouari’s Curiosa
Zouari’s photographs of strange, sinuous forms led him deep into his psyche. They should do the same for us
Yosuke Bandai’s enchanting images of waste
Bandai reincarnates his series A Certain Collector B within the historic walls of Bologna’s music museum and library
Boris Mikhailov’s Temptation of Death
Mikhailov’s most recent body of work blends old and new photographs to reflect on life, death, and his own autobiography
FOTO/INDUSTRIA 2019 examines the built environment – past, present, and future
Spanning the centre of Bologna, 11 exhibitions expand our perception and understanding of the artificial world
Miami’s climate crisis
Anastasia Samoylova’s photobook FloodZone captures the insidious progression of climate change in Florida’s southeastern city
Nick Waplington’s Hackney Riviera
Waplington’s most recent photo book captures Londoners at leisure during a blistering summer of soaring temperatures, football, and political upheaval
Paul Mpagi Sepuya’s deconstructed gaze
Sepuya’s fragmented studio images undo an archetypal photographic genre
