All posts filed under: 1854 Awards

Female in Focus: “Let us take the reins of our own narrative”

There are many recurring Latin American stereotypes in the mainstream media: from fiery Latinas, sexy senoritas, and coercive lotharios, to violent depictions of the region itself. These two-dimensional portrayals often come from a homogenous Western perspective, and we see far fewer images taken by those who inhabit the continent themselves. Daiana Valencia and Celeste Alonso came together in 2015 to change this. Combining their dual expertise, the pair created Rueda Photos – a collective focusing on “themes with social context, referring to the territory, the gender issues and the current affairs that are specific to it”. Since its inception, the collective has completed a number of immensely successful projects. Their first collaborative work was shot in Haiti, where they covered the presidential campaign of Maryse Narcisse in the 2015 elections. The series, Candidate, follows the Fanmi Lavalas party nominee during a period which saw attitudes towards female politicians change in South America. Since then, three of South America’s biggest powers – Chile, Argentina and Brazil – have been governed by women. The collective’s most recent …

2019-04-30T12:18:26+01:00

A Portrait of Britain’s Pakistani community

Maryam Wahid has been interested in photography since she was a child. The photographer would often spend her weekends perusing galleries with her family, but she was always struck by the lack of diversity on gallery walls. “I saw very little of my community in the art world,” she says. This was a stark contrast to the vibrant multicultural – particularly South Asian – community that surrounded her growing up in Birmingham. Wahid is profoundly interested in multiculturalism, and uses her work to challenge misconceptions of Islam in the UK. Her photographs focus on the mass integration of migrants in Britain. More specifically, she explores her family’s roots in the Midlands, and their personal, yet arguably universal, experience as immigrants. In her series Archives Locating Home, Wahid positions family photographs from 1950s Pakistan among those taken in Britain decades later. Using self-portraiture, Wahid draws on her own identity within the UK’s Pakistani diaspora. Her self-portraits pay homage to those taken of her mother at the time she migrated to Britain in the early 1980s. Wahid’s …

2019-04-30T12:16:10+01:00

BJP Staff