Alys Tomlinson’s Ex-Voto book is the culmination of a five-year journey across Catholic pilgrimage sites in Ballyvourney in Ireland, Grabarka in Poland, and Lourdes in France. “Placed anonymously and often hidden from view, ‘Ex-Votos’ are offerings left by pilgrims as signs of gratitude and devotion,” she explains. Since being shortlisted for the BJP IPA in 2018, the series has been recognised across the industry, also making the shortlists for the Taylor Wessing Portrait Prize and the Renaissance Photography Prize. Most recently, Ex-Voto won first prize in the Discovery section of the 2018 Sony World Photography Awards. The eagerly anticipated release of the Ex-Voto book coincides with several exhibitions of the work; at HackelBury Fine Art in London from 7 March to 18 April, at Chichester Cathedral from 2 March to 23 April, and at SIDE Gallery in Newcastle from 6 April until 9 June 2019. Included in Ex-Voto are essays by experts Dr Rowan Cerys Tomlinson, Professor John Eade, and Sean O’Hagan, each detailing some of the history of the sites photographed and the ex-votos …
In the second of our interviews with BJP IPA 2019’s judges, we meet Sarah Allen. As assistant curator at Tate Modern, Allen has worked on a number of major shows, the most recent being Shape of Light, the first blockbuster exhibition to explore the relationship between photography and abstract art. Before moving to Tate Modern, Allen worked at a string of leading galleries, including The Hugh Lane Gallery in Dublin, The Guggenheim Museum in New York, and The Photographers’ Gallery, London. Among the high-profile photographers she’s worked with is Mark Ruwedel, who recently made it on to the Deutsche Borse Photography Prize 2019 shortlist with his show The Artist and Society, curated by Allen. We spoke to her about how to get noticed by curators, and what she’s looking forward to seeing in BJP IPA 2019. What are the most exciting things happening in photography at the moment? And what trends do you think we’ll see in 2019? I think there is some extremely important work being made at the moment on the subject of …
“Most people would walk by a dump pile and assume that there’s no picture there,” says global industrial landscape photographer Edward Burtynsky. “But there’s always a picture, you just have to go in there and find it.” Born in Canada in 1955, Burtynsky has been investigating human-altered landscapes in his artistic practice for over 35 years, capturing the sweeping views of nature altered by industry; from stone, to minerals, oil, transportation, and silicon. “Of course, it’s important to me to make sure that my pictures are attractive to the eye,” he says. “But beneath the surface there’s always a bigger, deeper environmental issue.”
Last few hours left to apply! BJP IPA 2019 deadline: 20 December, 2018. There will be NO extended deadline. “Placed anonymously and often hidden from view, ‘Ex-Votos’ are offerings left by pilgrims as signs of gratitude and devotion,” explains Alys Tomlinson of the subjects of Ex-Voto, a series exploring offerings of religious devotion found at Christian pilgrimage sites. These small donations of gratitude take the form of handwritten notes neatly folded and hidden in the crevice of rocks, crosses etched into stone, or lengths of ribbon tied around piles of twigs, creating a tangible narrative between faith, person and the landscape. Ex-Voto explores this narrative through formal portraiture, large format landscape photography, and small, detailed still lives of the objects and markers left behind. Last year, the series was shortlisted for the BJP International Photography Award, and it has garnered global attention ever since. “To have my interests recognized as resonating beyond my own curious impulses is both exciting and encouraging,” says Alys of being shortlisted for last year’s BJP IPA, “While to receive recognition from …
The latest edition of the BJP International Photography Award is now open for entries, offering photographers the chance to win a solo show at TJ Boulting, one of London UK’s leading galleries. As ever, British Journal of Photography are searching for established photographers to enter new projects with compelling narratives. The series may be shot in any format or camera model, on film or digital, and containing a minimum of 10 and a maximum of 15 images. The BJP International Photography Award is a once in a lifetime opportunity to get a solo show at renowned London UK gallery TJ Boulting. All costs will be covered for the show; from printing, framing and installation, to travel and accommodation, so the winning photographer can oversee the preparation of their exhibition and attend the opening night. Alongside the solo show, the winner’s work will also be published across British Journal of Photography’s print and digital channels, including in a dedicated four-page supplement inside the BJP, giving them exposure to influential industry leaders and our global audience. Winning …
Has anything improved since Linda Nochlin’s 1971 essay Why Have There Been No Great Women Artists? The fact that women make up just 15.5% of the artists’ files on Wikipedia suggests not. According to L’Observatoire de l’Egalite, only 30% of the artists exhibited in galleries are women, even though more than 60% of art students in France are women.
Even so, there is some cause for optimism – as French photographer Vincent Ferrané points out. “Of the top 500 contemporary artists in 2017 [in France], only 14% of women,” he says. “But 30% of those were born after 1980.”
Photographer Shahidul Alam has been imprisoned by Dhaka Metropolitan Magistrate’s Court for spreading “false and harmful information” against the government after remaining in police custody for seven days.
He was placed before authorities around 3pm on Sunday 12 August, and charged under section 57 of the Information and Communications Technology Act, Moshiur Rahman, deputy commissioner of police, told the Bangladeshi title The Daily Star. His lawyer and his family members were not informed about the court hearing.
In a letter submitted by investigating officer Mr Arman Ali, the 63-year-old was accused of giving “false and harmful information through Al-Jazeera, various electronic media, and his Facebook timeline, which led to deterioration of the law and order situation in the country, and created fear and terror in the minds of the public”.
Photography is generally accepted as a medium representing reality or the idea of that revealing what you see before you, onto a two-dimensional plane. Multiple Planes, an exhibition organised by Thai New Wave Photography, uses its platform to construct works, in terms of its materials, processes and notions, that relate to photography through atypical dimensions. “It’s a place where you can expect to see inventive works,” says curator Mary Pansanga.
As the apps we use become a bigger part of our daily routines, the line between our digital and real lives is increasingly blurred. “But there’s a tension point where privacy comes in which makes everything even more complicated,” says VICE editor in chief Ellis Jones. How much of ourselves do we share publicly and how do we decide which pieces to share? Which labels do we use to describe ourselves? And how do we avoid others imposing labels onto us? These are a few of the questions posed in “The Privacy and Perception Issue”, VICE’s annual photography magazine.
Under the back garden of an unremarkable family home in Las Vegas is an extraordinary 16,000sq ft, all-pink, bomb-proof bunker. Inside are decadent bedrooms decorated with crystal chandeliers and baby pink wallpaper, and a bathrooms with a hot-pink toilet, white marble hot tub, and opulent golden fittings. Surrounding the house is a hand-painted mural of the countryside, and an underground garden with a swimming pool and fake trees growing out of a carpet that stands in for grass.
“It’s basically a house within a house,” explains Juno Calypso, who spent three days of solitude in the bunker, for her project What To Do With A Million Years. Designed to be safe from any disaster or intruder, the bunker was built in 1964 by Avon cosmetics founder Gerry Henderson and his wife, who were terrified of a potential nuclear breakout in the advent of the cold war.
Calypso is currently showing the series at London’s TJ Boulting gallery, and has transformed the basement space into a version of the garden, complete with fake plants, eerie mood lighting, and a soundtrack of soft romantic rock that plays against the continuous sound of running water from a stone fountain in the corner.