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Diachronicles by Giulia Parlato

This article was published in issue #7892 of British Journal of Photography. Visit the BJP Shop to purchase the magazine here. What part do museums play in shaping our understanding of history? It’s a question that London-based Italian photographer Giulia Parlato has asked herself often in the past few years. “They’re places to learn about the past, and places where objects end up being elevated to a higher status of interpretation. But what happens to the discarded, unrecognised, or lost material culture that is not displayed?” she says. “A museum is tidy, organised and clear. We like to think about time as a linear, horizontal path, but there isn’t such a thing. It’s much more complicated than that.” Parlato’s new project, Diachronicles, emerged from this thinking, and she started working on it while researching for another work at The Warburg Institute in London. “While I was there I began browsing through the forgery section, and I started to think about the relationship that history has with fiction. In particular, what happens when you disrupt the historical narrative, which …


BJP Staff