All posts filed under: Creative Brief

Creative Brief: Andrea Kurland, Huck

When the first issue of Huck went to press in 2006, it was quite different to what it is today. Started by a team of friends passionate about the skate and surf scenes, and formed soon after the closure of Adrenalin magazine, where many of them had worked, it championed the personal stories of the sports’ icons and surrounding culture, rather than the action. Though still passionate about radical culture, Huck is now decidedly less niche.

“Over the years, the voice we’ve always had as an alternative to the mainstream became more relevant to more people,” says Andrea Kurland, who has been part of the team from the start, and became editor-in-chief in 2010. “As we’ve grown, the generation that grew up with us has become more socially and politically engaged. This is now very embedded in the magazine, so we’ve been bolder and braver with this particular world stance.”

2018-11-13T11:25:46+00:00

Creative Brief: Holly Hay

Holly Hay’s induction into publishing came by way of the fashion communication and promotion BA at Central Saint Martins. “That course was like training to work at a magazine,” she explains. “It was photography, journalism and graphic design, all meshed into one.” While on it she started taking her own photographs and after she left, she had a stint as a photographer. “It was all going quite well until I met more photographers, and realised I liked their work more than my own!” she laughs. “I discovered that I could create the images I wanted through other people, rather than myself.” Following this revelation, she shifted to a producer role, commissioning photographers, writers and stylists at the newly-conceived Garage magazine, before spending three years as the photographic editor at AnOther, fostering an extensive network of image-makers and collaborators. Now, just over eight months into her tenure as photography director of Wallpaper*, she’s making her presence felt in artist collaborations and visual journalism. How has the way you commission changed since joining Wallpaper*? I would describe the …

2018-09-07T13:38:30+00:00

Issue #7875: Through Her Eyes

In our September 2018 issue, we interview Vanessa Winship and Hellen van Meene about the genesis of their latest works, and the backstory of death and rebirth that led them in new directions. We also speak to Marina Paulenka, the artistic director of Organ Vida festival in Croatia, about the 10th anniversary edition and its focus on the female gaze. Lucy Davies meets Winship at the Barbican Art Gallery, which is currently staging a mid-career retrospective of her work alongside Dorothea Lange. They discuss the photographer’s decision to step back from making pictures at the height of her success, and how she found her way back after the arrival of her first grandchild. “It has been a rebirth in a way,” she says, speaking about her new direction, “sort of freeing myself from the constraints of my former life. But it was also about conveying the immediacy with which my granddaughter sees the world.” Van Meene’s new series, which goes on show in Amsterdam this September, confronts the subject of death in an inherently personal …

2018-10-01T10:19:42+00:00

Meet California: Enter now to win the opportunity of a lifetime

For a photographer, the state of California is a wonderland. Its sheer diversity presents endless opportunity and inspiration. There are few places in the world that offer the vibrancy of its iconic cities – serving as global centres for art, entertainment and technology – and the beauty and tranquility of its Pacific coastline, sprawling redwood forests, vast deserts and towering mountain ranges. British Journal of Photography has teamed up with Visit California, the state’s official tourism board, to launch a brand new competition: Meet California. This September, four winning photographers will be flown to the Golden State where they will embark on a 10-day photography commission. During their time in California, each competition winner will produce a new body of work that responds to their experience traversing the vast and diverse destination. Steering clear of generic picture-perfect travel photography, each body of work should delve beneath the surface of California and reveal the daily occurrences and unexpected nuances, as well as the people and places, which give America’s Golden State its distinctive character. The road trip …

2018-05-23T09:45:53+00:00

Peter Holliday: Edgelands

Postcards from Copenhagen invited three photographers – Marco Kesseler, Peter Holliday and Laura Stevens – to travel to Copenhagen over a long weekend and create a new body of work inspired by the Danish capital. Here, we publish the second in the series. “Copenhagen is one of the few cities in the world where you can build and test rockets in a car park.” Peter Holliday is referring to a stretch of tarmac situated on the northern tip of Amager East, an island neighbourhood just a short bike ride away from central Copenhagen. This vast industrial area is the perfect setting for artists’ studios; its close proximity to the water makes it an ideal place to launch rockets. Copenhagen Suborbitals, the world’s only amateur space programme, has been based in the area since its founding in 2008. Funded solely by donations from space and rocket enthusiasts around the world, to date, the organisation has launched four home-built rockets and space capsules from a ship in the Baltic Sea. Its ultimate aim? To fly an amateur astronaut into …

2018-06-01T15:51:38+00:00

Studio 1854: The power of photography

When the DJI Drone Photography Award launched in November 2017, it called for photographers across the world to submit ideas for creative, drone-shot projects. Rather than generic aerial photography – picture perfect landscapes with little back story – the competition asked that entrants consider compelling narratives and subject matters. In reaching locations impossible on foot, these drone-shot projects would open the viewer’s eyes to new possibilities. The project was supported by DJI, the world leader in civilian drone and aerial imaging technology. DJI has a deep interest in photography and in 2017 it acquired a majority interest in Hasselblad. A series of articles written by Studio 1854 and published on BJP’s website throughout the competition period demonstrated the creative potential of drone photography. BJP’s audience were inspired: 47,825 people visited the competition entry page. After a lengthy judging process – overseen by BJP, DJI and Guardian drone photographer Graeme Robertson –Markel Redondo and Tom Hegen were selected as winners. The Salt Series, photographed by Hegen, documents salt production across Europe. Combining vivid colours and geometric …

2018-07-02T11:28:13+00:00

BJP Staff