“Plankton are intriguing and beautiful creatures,” says Japanese photographer Ryo Minemizu. “They symbolise how precious life is by their tiny existence.”
He’s been shooting plankton for 20 years, spending between two and eight hours underwater everyday recording the tiny creatures, which can be plants, animals, or other types of organism. Drifting in the ocean, unable to swim against the current, plankton are the most abundant life form on earth after bacteria, but measuring 2mm-40mm in size, are invisible to the naked eye. Minemizu has registered his own technique to photograph them, which he’s called Black Water Dive, and which involves setting a stage underwater using flashes and other forms of lighting.
Photographer Shahidul Alam has been imprisoned by Dhaka Metropolitan Magistrate’s Court for spreading “false and harmful information” against the government after remaining in police custody for seven days.
He was placed before authorities around 3pm on Sunday 12 August, and charged under section 57 of the Information and Communications Technology Act, Moshiur Rahman, deputy commissioner of police, told the Bangladeshi title The Daily Star. His lawyer and his family members were not informed about the court hearing.
In a letter submitted by investigating officer Mr Arman Ali, the 63-year-old was accused of giving “false and harmful information through Al-Jazeera, various electronic media, and his Facebook timeline, which led to deterioration of the law and order situation in the country, and created fear and terror in the minds of the public”.
Growing up, photographer Tom Roche learned about his Romani Gypsy heritage only through fragmentary stories and speculation. “My great, great uncle was stabbed in the heart with a wooden stake because he owed money for land,” says Roche, a recent University of the West of England graduate. “Then I had one aunt, aunt Liz, who used to pick crops, one aunt that made baskets, and another who sold pegs – or so I’m told; I don’t have any images, records, or concrete facts of my ancestors.”
Photomontage artist Peter Kennard is among 40 artists who have demanded their work be removed from London’s Design Museum after discovering the institution had hosted a private event associated with the arms trade. The museum complied with the requests to return work by 01 August, but defended its curatorial independence from its need to raise funds and sponsorships.
In an open letter, the artists said that they are “appalled” that the London institution arranged for Italian aerospace company Leonardo to hold an event on 17 July, during the Farnborough International Airshow. A demonstration outside the museum also took place on the same day (02 August) in which several artists arrived to collect their works.
Photography is generally accepted as a medium representing reality or the idea of that revealing what you see before you, onto a two-dimensional plane. Multiple Planes, an exhibition organised by Thai New Wave Photography, uses its platform to construct works, in terms of its materials, processes and notions, that relate to photography through atypical dimensions. “It’s a place where you can expect to see inventive works,” says curator Mary Pansanga.
As the apps we use become a bigger part of our daily routines, the line between our digital and real lives is increasingly blurred. “But there’s a tension point where privacy comes in which makes everything even more complicated,” says VICE editor in chief Ellis Jones. How much of ourselves do we share publicly and how do we decide which pieces to share? Which labels do we use to describe ourselves? And how do we avoid others imposing labels onto us? These are a few of the questions posed in “The Privacy and Perception Issue”, VICE’s annual photography magazine.
“I had access to what felt like this secret world,” says Dafydd Jones, who has worked as a social photographer since the 1980s for publications such as Tatler, Vanity Fair, The New York Observer, The Sunday Telegraph, and The Times. “I was taking pictures of elites that nobody had seen before. It was Thatcher’s Britain, a period of celebration for those that had money. People described it as the ‘last hurrah’ of the upper classes.”
In 1981 he won a photography competition run by The Sunday Times magazine with a set of photographs of “Bright Young Things”, named after the earlier group of hard-partying aristocrats immortalised by novelist Evelyn Waugh and photographer Cecil Beaton. Tatler editor Tina Brown hired Jones off the back of it, commissioning him to photograph the Hunt Balls, society weddings, and debutante dances that were a mainstay of the upper-class publication. Now Jones has put together a collection of his work for Tatler from 1981-89, titled The Last Hurrah and currently on show at The Photographers’ Gallery and put out as a publication by Stanley Barker.
Cindy Sherman’s first UK retrospective goes on show at the National Portrait Gallery, London from 27 June – 15 September, 2019.
Titled Cindy Sherman, the exhibition will feature around 180 works, including the seminal series Untitled Film Stills. Shot from 1977-1980 in New York, the 70-strong series cemented both her reputation and her approach – manipulating her own appearance to explore the complex relationship between facade and reality.
In our September 2018 issue, we interview Vanessa Winship and Hellen van Meene about the genesis of their latest works, and the backstory of death and rebirth that led them in new directions. We also speak to Marina Paulenka, the artistic director of Organ Vida festival in Croatia, about the 10th anniversary edition and its focus on the female gaze. Lucy Davies meets Winship at the Barbican Art Gallery, which is currently staging a mid-career retrospective of her work alongside Dorothea Lange. They discuss the photographer’s decision to step back from making pictures at the height of her success, and how she found her way back after the arrival of her first grandchild. “It has been a rebirth in a way,” she says, speaking about her new direction, “sort of freeing myself from the constraints of my former life. But it was also about conveying the immediacy with which my granddaughter sees the world.” Van Meene’s new series, which goes on show in Amsterdam this September, confronts the subject of death in an inherently personal …
Antonin Kratochvil has been suspended from the VII Photo Agency, pending an investigation into accusations he sexually harassed female photojournalists in the agency. The allegations were made in an article written by Kristen Chick for the Columbia Journalism Review, which contends that sexual harassment is widespread in photojournalism, and cites Kratochvil as just one example.
The report includes quotes from photographer Anastasia Taylor-Lind, a one-time member of VII, stating that Kratochvil physically groped her at a VII Annual General Meeting in Paris in 2014. “She says she was approached by founding member Antonin Kratochvil, a well-known photojournalist who has won three World Press Photo first prizes over his long career,” the article reads. “Taylor-Lind was wearing a long skirt, and said she stood with a group of people near a window during a break from the meeting.
“Without warning, Kratochvil slid his hand between her buttocks, she says, and pushed it forward until he was touching her vagina over her clothing. He held his hand there for several seconds, she says. She froze until he removed his hand and then she walked away.”