London’s National Portrait Gallery has revealed the first images of its proposed new design, part of a £35.5m redevelopment which is the biggest-ever at the building since it opened in 1896, and which would increase its gallery space by 20%.
The design, by Jamie Fobert Architects, proposes adding a new visitor entrance and public forecourt on the building’s north face, in addition to the existing entrance; it would also return the gallery’s East Wing to public use, and add new retail and catering facilities, and a new Learning Centre for visitors. The redevelopment would also see the gallery’s collection – which includes 250,000 photographs – redisplayed and reinterpreted across 40 refurbished galleries.
“Such great number of photo books in one place has never been presented in Kyiv before – since the foundation of the city more than 1500 years ago,” says Dmitriy Krakovich, director of the Kyiv Photo Book festival. “The goal of the festival is developing a communication between authors-photographers and publishers from one side, and broad circles of art lovers and photography art lovers in Ukraine.”
The first event of its kind in Ukraine, Kyiv Photo Book festival will feature both local and international photographers, publishers and galleries, with organisations such as MOKSOP (Museum of Kharkiv School of Photography) and Rodovid Press lined up to take part.
The World Press Photo Foundation has announced the six talents from North and Central America in its ongoing 6×6 Global Talent Program. Aimed at picking out under-recognised visual story-tellers from around the world, the 6×6 programme is now on its fifth region, out of the six identified around the world. This time, the talents picked out were: Dylan Hausthor, USA; Ian Willms, Canada; Mariceu Erthal García, Mexico; Nydia Blas, USA; Tomas Ayuso, Honduras; and Yael Esteban Martínez Velázquez, Mexico.
Each talent has been picked out for two stories: Hausthor, for example, submitting a project called Past The Pond, Setting Fires, about arson in small-town America; and Wood Grain Lick, a documentary and fictional look at life on the edges. Willms’ projects are As long as the sun shines, a story about oil sands extraction in northern Alberta, Canada, and its effect on the local community; and We shall see, about the death of his biker father. Mariceu Erthal García’s projects are Iriana, shot on a holiday in Cuba; and Letters to Gemma, about a young Mexican woman who disappeared seven years ago.
For our first issue to land in 2019, we bring you a range of photographers from all corners of the world, all at different points in their careers, and who work across a wide spectrum of approaches. Among all their differences, common to all of their work is an implicit link between the personal and the political. The issue takes its name from the title of JA (or Jim) Mortram’s on-going project, Small Town Inertia, in which he documents the consequences of a decade of austerity in his hometown, Dereham, in Norfolk, England. He chronicles the lives of some of Britains most vulnerable citizens, and as a full-time carer, Mortram is one of them. In other projects we are introduced to the work of Japanese artist Mari Katayama, who was born with tibial hemimelia, a condition characterised by the absence of a large bone in the leg. At the age of nine, Katayama took the decision to have both her legs amputated. Now, she uses her body as a platform for experimentation and creativity, resisting readings of …
The Chinese police have confirmed that they have arrested photographer Lu Guang, according to reports in The New York Times and elsewhere. He has been missing since early November but, his wife Xu Xiaoli has apparently confirmed, the police called his family this week to confirm he was arrested in Kashgar – an ancient city in southern Xinjiang that has seen a government crackdown on Uighurs and other Muslim minorities.
Xu says she still doesn’t know why Lu has been arrested though, and says that the police haven’t provided a written notice confirming the detention. A friend of Lu’s who disappeared at the same time is also still missing, though Xu had no more information about his fate.
What do Sophie Calle, Rineke Dijkstra, Susan Meiselas, and Hannah Starkey all have in common? They’re all on the list of 100 contemporary women photographers picked out by the UK’s Royal Photographic Society, after an open call for nominations. Over 1300 photographers were recommended to the organisation by the general public, which was slimmed down by a judging panel headed up by photographer Rut Blees Luxemburg.
The final list includes well-known names but also less recognised image-makers such as Native American artist Wendy Red Star, Moscow-based photographer Oksana Yushko, and Paola Paredes from Ecuador. Each Heroine will be awarded a Margaret Harper medal, named after the first female president of The Royal Photographic Society, and the first female professor of photography in the UK. An exhibition and accompanying publication will follow, all part of a bid to highlight women working in what is still a male-dominated industry.
“Although it was a truly challenging exercise having to consider 1300 women, being a part of the jury for Hundred Heroines was ultimately an incredibly stimulating and inspirational process,” says Luxemburg. “This final list reflects both the global expanse of female practice and the intergenerational input into contemporary photography. It reflects the wide range of methodologies, practices and diverse approaches of women working with the photographic medium. This is a moment of change and this list of heroines pays heed to it.”
“The way the international audience perceives Russian photography is often based on ‘exoticism’, that builds a pernicious stereotyping around Russian art,” say the makers of Attention Hub. “We show the artists who speak an intercultural and international language, pushing imaginary boundaries.”
Put together by FotoDepartament, the respected St Petersburg gallery, publisher, and arts centre, Attention Hub’s premise is simple – to harness the international reach of the internet to promote a hand-picked selection of emerging Russian photographers. Prints of the photographers’ work can be bought online for as little as €220, with half the price going to the photographer; the rest of the money will go towards building a programme of international events and initiatives to promote their work.
“Online is a dynamic and accessible format, providing the maximum audience coverage from anywhere in the world,” runs the site’s introductory text. “The combination of technology, digitalisation of information consumption, and trends of selling art online all build new ways of overcoming physical boundaries and setting up the convenient and focused support that independent art needs.”
BJP-online Loves Maria Sturm’s You don’t look Native to me, Jean-Vincent Simonet’s psychedelic images of Tokyo, Roger Melis’ photographs of East Germany, Dawoud Bey’s exhibition Places in History, and the fact that MACK’s First Book Award is now open-entry
Silvia Rosi and Theo Simpson have won the UK’s Jerwood/Photoworks Awards for emerging photographers. Each receives £10,000 to make new work plus an additional fund of £5000 and print support from Spectrum Photographic, plus high-profile mentoring and a two-person exhibition that will start at the Jerwood Space in January 2020 and travel throughout the UK.
Born in 1992 in Scandiano, Italy, Rosi is a Togolaise/Italian artist living and working in London. Graduating from the London College of Communication in 2016 with a BA in Photography, she makes work that references the West African studio portrait to explore her family and its experience of migration. Born in 1986 in Doncaster, Theo Simpson lives and works in Lincolnshire, UK, and has shown his work at institutions such as FOAM in Amsterdam, and Webber Gallery, London. His work considers the long game and the transformations of the globalising world, and has previously been published on bjp-online www.bjp-online.com/2017/02/theosimpson/
“It’s a bit hard to find words for this – You don’t look Native to me won the PHmuseum Women Photographers Grant,” says Maria Sturm. “I feel exponentially happy and glad to be sharing the list with other women photographers whose work I admire.”
Sturm has won the prize in a strong year for the PHmuseum Women Photographers Grant, with the 31 shortlisted photographers including Magnum Photos’ Diana Markosian, Sputnik Photos’ Karolina Gembara, and Taylor Wessing Photographic Portrait Prize-winner Alice Mann. But her long-term project You don’t look Native to me, which shows young Native Americans in Pembroke, North Carolina impressed the judges with its sensitive approach to its subjects.