Aapo Huhta spent two years creating work in the desolate plains of the Namibian desert. Omatandangole is the result of his journey
“From the earliest iterations of the female form, women have been both empowered and burdened by symbolism. Their body is never just their own. It is forever shared”
Gregory Halpern’s new photobook centers on Omaha, Nebraska, presenting a timely meditation on America and masculinity
A new exhibition considers the relativity of photographic taste, and how something that is a mistake for one generation may become a success for the next
Published on the 100th anniversary of the Bauhaus, Moholy Album offers a new perspective on the work of one of the movement’s central members, László Moholy-Nagy
A new book by photographer-economist duo Chow and Lin uses food to illustrate the daily budgets of those living in poverty
Born in Italy, Luca Desienna has been a freelance photographer since 1998. One of the co-founders of Gomma Books in 2004, he has produced four Gomma magazines plus two publications devoted to black-and-white photography, MONO volumes I and II, working with image-makers such as Roger Ballen, Antoine D’Agata, Trent Parke, Daido Moriyama, and Anders Petersen. Petersen has described Desienna’s personal project My Dearest Javanese Concubine as “a story full of vitamins and warm energy”, and the series was shown at the official selection of the 2012 Arles Voies Off. My Dearest Javanese Concubine is now being made into a book by Gomma Books in collaboration with VOID and BlowUp Press, available for pre-order now and due for publication in May.
Taking its title from a leaked CIA manual from the 1950s, George Selley’s collages – now the subject of a new photobook – tell a surreal story about leaked CIA documents, government propaganda, and bananas
When he found out about these documents, George Selley was instantly captivated, and his new project, A Study of Assassination, combines pages from the manual with archival press images, banana advertisements and Cold War propaganda. BJP caught up with the recent London College of Communication MA graduate to find out more about this project and his approach to images.
Ahead of the announcement of the Deutsche Börse Photography Foundation Prize on 16 May, BJP-online speaks to shortlisted photographer Susan Meiselas about her ongoing engagement with the Kurdish diaspora
Harold Feinstein could have been a quintessential street photographer. His subject was 1940s New York; his medium, a Rolleiflex camera borrowed from a neighbour. The native New Yorker honed his skills on the beaches and boardwalks of Coney Island, wandering among the sun-drenched crowds in search of subjects. But, his work evades that categorisation. “The thing about Coney Island was not how to find a picture, but how to avoid it,” he reflects in Last Stop Coney Island: The Life and Photography of Harold Feinstein, a new documentary showing in tandem with the London exhibition Found: A Harold Feinstein Exhibition at 180 Strand, which delves into the story of the photographer who fell into relative obscurity, until now. Feinstein, who died in 2015, framed familiar subjects in a manner that renders them remarkable – a skill that quickly gained him the recognition, and respect, of his contemporaries. He left home aged 15, escaping the wrath of his physically-abusive father for a room at the YMCA. The photographer was accepted into the Photo League aged just …