Iran “is such a complex place that people will, of course, tell you not to go there”. In the first chapter of an ongoing body of work, the Melbourne-based photographer challenges the “narrow and misleading” ways in which the Middle Eastern country is often portrayed
Douglas Mandry’s new book uses analogue processes to challenge the limits of reality and photography
Stephen Gill’s practice is driven by a fascination with his immediate surroundings. From the longing to engage with the hidden wildlife that surrounds his home in rural Sweden, to the years he spent cycling through Hackney Wick, scouring its vast markets and narrow towpaths; it goes way back to his initial obsession as a child, to collect insects and bits of pondlife to inspect under his microscope. “My hobby morphed into what I do for a living,” he reflects, “making this new work took me right back to those early years, as if completing a full circle”.