All posts filed under: Video

All I Know Is What’s On The Internet

“What do I know about it? All I know is what’s on the internet.” So said Donald Trump in an interview in March 2016, after he was confronted about the legitimacy of a video he had tweeted, along with the claim that the protester it depicted was a member of ISIS. The video has since been proved as a hoax, neatly demonstrating the difficultly of navigating between truth and fiction in today’s digital landscape. In a world where even a layperson can manipulate images on their phone, and spread them to thousands of fake followers with one click, how can we begin to know what is #real?

It’s the kind of question that All I know is what’s on the Internet will pose, a new exhibition opening at The Photographers’ Gallery, London including work by 11 artists and collectives. It includes “social media machines” made by Australian designers Stephanie Kneissl & Maximilian Lackner, built to maximise activity and likes; and wall-mounted installations by Eva and Franco Mattes that reveal the lesser-known, surprisingly personal, world of online content moderators. Curated to draw attention to the neglected corners of digital image production, the show helps visualise the vast infrastructure of online platforms, and the enormous amount of human labour needed to keep it churning.

2018-10-24T12:28:18+00:00

Sølve Sundsbø – Beyond the Still Image

Fashion photographer Sølve Sundsbø was awarded an Emmy in 2011 for his direction of a series of short films, shot for the website of the The New York Times Magazine. The series, 14 Actors Acting commissioned by Kathy Ryan, was acclaimed as a “new approach”, but the Norwegian photographer claims he simply “dabbles” in film.

“I’m not proficient or even adequate yet,” he says. “But film is a way of rejuvenating the work I’ve already done. It’s like a little vitamin boost.” 

Sundsbø’s photography career has been meteoric. Four months into a course at the London College of Printing, he attracted the attention of Nick Knight, and became his assistant for the next four years. Now he’s a regular in Italian Vogue, Visionaire and W magazine. His commercial clients include Chanel, Hermès, Nike and Yves Saint Laurent and, outside the fashion world, Royksopp, Friendly Fires and Coldplay have all chosen his work for their album covers. 

2018-10-18T10:26:55+00:00

In case you missed Portrait of Britain on Sky News

Ahead of the launch of the Portrait of Britain exhibition tomorrow, Marc Hartog, CEO of 1854 Media, appeared on Sky News with one of the 100 winning photographers Tom Oldham, to discuss the largest display of contemporary portrait photography ever held. “Competitions like these are great opportunities for exposure,” says Tom, “And they offer the chance to be featured among the greatest photographers in the country.”   As a platform, Portrait of Britain is unprecedented, exposing photographers’ work both to the public and the media. And this year, we have expanded that platform to the new Portrait of Britain book and online gallery, allowing people to see all of the photographers’ images in one place. The book, published by Hoxton Mini Press gives our audience the opportunity to really see this amazing tapestry of Britain, to delve in to the rich kaleidoscope of images, and to read the fascinating stories behind each of the faces. Portrait of Britain is a celebration of our country’s unique heritage and diversity. It’s also public art on an unprecedented …

2018-09-04T13:54:56+00:00

Art, Justice and Terror – or how image-makers can reframe the War on Terror

How can art contribute to our understanding of justice in a time of global conflict? Award-winning photographer Edmund Clark considered the question with former Guantanamo detainee Moazzam Begg and human rights lawyer Cori Crider at the IWM London – home to his ongoing show, War of Terror

2017-06-22T15:41:49+00:00

Bigger, better, bolder: British Journal of Photography unveils its new look

At a time when the British Journal of Photography is read by more people in more places than ever before, reaching 750,000+ followers on social media, we are investing further in our 162-year-old print magazine, giving it a thorough refresh to ensure it remains the world’s most authoritative and cutting-edge publication devoted to the art and commerce of contemporary photography. You can buy the issue, direct to your door, now. The new-look magazine has been redesigned front-to-back to give more space to arresting images and in-depth analysis of the contemporary photography scene. In addition to expanding the page run, we have introduced a heavyweight premium cover stock, alongside three different high-quality papers inside, and bold new typography that reflects the visual sophistication of the global creative community we serve. Since our last major redesign six years ago, which saw BJP switch from its 150-year-old weekly format back to the monthly edition it began with in 1854, the magazine has launched award-winning iPad and iPhone editions, collected the title of Photography Magazine of the Year at …

2016-04-01T10:56:41+00:00

BJP #7844: Shooting the Rich

When does campaigning documentary photography become political art? Probing this question is at the heart of the latest issue of BJP, which looks at contemporary depictions of wealth and the structures that support it. The global financial crisis of 2007 and 2008 has provoked an outpouring of feeling towards the so-called ‘one percent’ and a new wave of creative responses. It’s a subject that’s having a moment, and rather than the traditional documentation of marginalised communities we’re seeing photographers who are turning their cameras towards the wealthy and privileged. We’ve just scratched the surface in this issue, which features seven recent series, one curatorial project and one archival body of work recently published as a book. But in producing it, we hoped to find out how these projects were made – and perhaps more importantly, why. There’s a range of styles on display that interrogate these ideas in complex ways: while Dougie Wallace has shot in-your-face street portraits, using a flash “to bring out the ridiculous in the situation”, Zed Nelson doesn’t want to “vilify” …

2016-02-02T13:56:32+00:00

BJP #7843: Cool & Noteworthy

With features on more than 20 of the best photography projects of the last year, Cool & Noteworthy looks at the photography practitioners, festivals, exhibitions and publishers that have pushed at the medium of photography in this momentous year of the viral image. You can buy the issue now from the BJP shop. Highlights include an in-depth, all-access look at New York Times Magazine’s redesign, an exploration of Magnum photographers Paolo Pellegrin and Alex Majoli’s collaboration in Congo, festivals in Delhi and Lagos, Cristina De Middel’s remarkably productive year, and our newfound  fascination with contemporary Japanese photography. Simon Bainbridge, editor of BJP, introuduces the new issue: “Whose work most impressed you over the last 12 months? “I like to keep a list of all the things that for one reason or another don’t make it into BJP , but that I wished that we’d found room for or known about them early enough to include. This growing list, along with suggestions from colleagues and friends of the magazine, forms the basis of my thinking for our annual ‘Cool & …

2016-01-13T14:31:06+00:00

BJP #7841: The Idealism Issue

The British Journal of Photography’s November 2015 issue, featuring exclusive photography from Sweden to Nigeria to Japan, is now available to download in the app store or to buy direct from us in the BJP shop. The issue features the enigmatic Swedish photographer JH Engström, who allowed BJP into his home in the Swedish heartlands for a week, for one of the most intimate insights into his process he’s ever revealed. We also talk to the celebrated Spanish photographer Cristina de Middel about her work at the Lagos Photography Festival – and how the Nigerian people are embracing photography wholeheartedly. We go behind the scenes of Burden of Proof, the new exhibition at Soho’s The Photographers’ Gallery, which looks at the relationship between photography and forensic science. Elsewhere in the issue, the influential photographer thinker and writer David Campany explores a very alternative history of photography. Diane Smyth, editor of this month’s issue, introduces the themes of the issue: “At first sight, JH Engström’s faded Utopian architecture, forensic photography, images of dust and the Lagos Photo Festival don’t have much in common, but …

2015-11-24T11:15:43+00:00

BJP #7840: The Fashion Issue

While Continental Europe is only just returning home from holidays, here in London, after a particularly damp August, we’re ready to brighten things up, turning on the style with a month of issues dedicated to fashion, available to order now, as well as a download from the App Store. We’re in good company. Later this month, the fashion cognoscenti will be heading to the British capital for London Fashion Week, where homegrown talents such as Gareth Pugh, JW Anderson and Vivienne Westwood share the runway with international designers, including Maison Margiela, Barbara Casasola and Versus. And London-based fashion magazines such as Pop, The Gentlewoman and Dazed & Confused have just put out their September editions, which are usually the most important of the year in terms of page numbers and ad spend. We’ll be celebrating British talent with a profile of photographer du jour, Jamie Hawkesworth, interviewed by Jason Evans, alongside a visit to the London home of someone who influenced him, Nigel Shafran. We will also be covering the emergence of agencies devoted to mature …

2015-10-19T15:15:49+00:00

VIDEO: Thomas Hoepker on taking the most controversial photo of 9/11

  On the 14th anniversary of the September 11th terror attacks, we speak to Magnum photographer Thomas Hoepker who documented the destruction. His famous photo depicting the tragedy as a backdrop to a leisurely Brooklyn afternoon attracted controversy, described as “shocking” by Frank Rich of the New York Times for its apparent callousness. But, as is usually the case with Hoepker’s work, there’s more to the image than initially meets the eye.  

2015-09-14T12:44:12+00:00

BJP Staff