Alice Mann was selected for the adidas Breaking Barriers commission. Organised by Studio 1854 in collaboration with adidas, the project awarded Mann £10,000 to create a new body of work. Below, a handful of the players who Mann photographed reflect on the personal importance of football, together with the challenges that come with playing a sport often associated with men. The 2019 Women’s World Cup felt remarkably different to previous iterations. In the UK, the BBC committed to broadcasting every game on national television. Broadcasters around the world followed suit. Almost 59 million people watched Brazil play France, making it the most viewed women’s football match of all time. In the UK, audience figures totalled 28.1 million, amounting to 47 per cent of the television-watching UK population, while, in Holland, 88 per cent of Dutch television viewers watched the final. This was the country’s largest television audience since the men’s World Cup semi-final in 2014. The impact of this should not be underestimated. With such a presence in the media, women’s football entered the mainstream. The …
The award-winning photographer creates a new photographic series offering an intimate insight into the London-based women’s football team
Mann will receive £10,000 to create a new body of work around the subject for the latest Studio 1854 commission
Alice Mann, Hubert Crabières, Hilla Kurki and Elsa & Johanna scoop the prizes for the fashion festival’s 23rd annual awards for emerging photographers
Alice Mann is a South Africa-born, London-based photographer, who was awarded the prestigious Taylor Wessing Photographic Portrait Prize in 2018 for her photographs of all-female teams of drum majorettes in South Africa’s Western Cape province. The images that make up Drummies are celebratory and empowering portrayals of young majorettes from some of South Africa’s most marginalised communities. “Winning the Taylor Wessing Photographic Portrait Prize was confirmation that people were able to instantly access the power these women had,” Mann says, “I’m really pleased that the girls’ confidence came across in the series.” Alice Mann is one of our females in focus; a remarkable photographer making extraordinary work, whose images we are revisiting as part of our pledge to elevate photography by women. Female in Focus is a new award, launched this year by 1854 Media, in which female-identifying photographers are invited to apply to have their work exhibited as part of a month-long group show at United Photo Industries gallery in Brooklyn, New York. Female in Focus is our way of addressing the gender imbalance …
“It’s a bit hard to find words for this – You don’t look Native to me won the PHmuseum Women Photographers Grant,” says Maria Sturm. “I feel exponentially happy and glad to be sharing the list with other women photographers whose work I admire.”
Sturm has won the prize in a strong year for the PHmuseum Women Photographers Grant, with the 31 shortlisted photographers including Magnum Photos’ Diana Markosian, Sputnik Photos’ Karolina Gembara, and Taylor Wessing Photographic Portrait Prize-winner Alice Mann. But her long-term project You don’t look Native to me, which shows young Native Americans in Pembroke, North Carolina impressed the judges with its sensitive approach to its subjects.
Now in its second year, the PHmuseum Women Photographer Grant has a simple premise – to recognise and award world-class photographers, who also happen to be women. Judged this year by a prestigious panel including Magnum photographer Alessandra Sanguinetti and The Photographers’ Gallery senior curator Karen McQuaid, the Grant has two main sections – The Women Photographer Grant and the New Generation Prize for those under 30 years of age. BJP takes a look at those who have made the shortlist.
Nataal.com was born in 2015 as a platform to communicate the creativity coming out of Africa. It was launched by Sara Hemming, former art director at AnOther, Helen Jennings, former editor at Arise magazine, and Senegalese actor and director Sy Alassane. Focusing on fashion shoots, long form features and visual essays, Nataal collaborates with emerging artists around the world who are shaping global narratives around African culture.
This year, Nataal published its first annual print magazine, built around the theme “Future Gaze” and containing 336 pages of photography by well-known artists such as Viviane Sassen, Lorenzo Vitturi and Ayana V Jackson, as well as commissions by up-and-coming photographers such as Arielle Bobb-Willis. The photography is accompanied by in-depth editorials covering a range of topics including fashion, visual arts and music, as well as a short story by American-Ghanaian writer Nana Ekua Brew-Hammond, and articles about contemporary African culture and business.
BJP spoke to creative director Sara Hemming and editorial director Helen Jennings about Nataal media and why photography is so integral to their magazine.
Alice Mann has won the Taylor Wessing Photographic Portrait Prize 2018 with a set of four images of South African drum majorettes – the first time the award has gone to a series not a single shot.
Mann’s photographs show five young girls from Cape Town dressed as ‘drummies’ – a popular hobby for children from some of South Africa’s most disadvantaged communities. Mann, who is now based in London but originally from South Africa, spent three months photographing drum majorettes, and says her winning portraits come from a much larger series.
“The images are part of a much larger body of work, which is a combination of a more documentary approach and portraits,” she explains. “These four portraits are some of my favourite images, especially the one of Riley and Wakiesha because they are so charismatic.
Photographs of a woman holding her baby, two shoppers, a drum majorette, and a child from a remote village in Sierra Leone have all been shortlisted for the National Portrait Gallery’s prestigious Taylor Wessing Photographic Portrait Prize this year. The prize winners will be announced at an award ceremony at the NPG on 16 October, with the overall winner receiving £15,000 and other cash prizes awarded to the shortlisted photographers at the judges’ discretion.
Two of the images were shot in London, with Max Barstow behind a striking photograph of two women in a busy shopping street in the city centre. The image comes from his series Londoners and in it, he says, his aim has been to “make unposed portraits with the intensity of images made by great studio photographers such as Richard Avedon and Irving Penn”.