Laia Abril, Nina Berman, Sohrab Hura, and Carmen Winant are all in the running for the prestigious Paris Photo/Aperture Foundation Photobook of the Year Award, which will be announced on 09 November at Paris Photo.
In total ten books have been shortlisted for the award; in addition, 20 books have been shortlisted for the First Photobook, and five for the Photography Catalogue of the Year. All the shortlisted books will go on show at Paris Photo and at the Aperture Foundation in New York, then tour to various venues across Europe, as well as being featured in the Autumn 2018 issue of The Photobook Review. In addition the Photobook of the Year winner will receive $10,000.
Photobooks have been booming for the last ten years or so but one prize has been there for the last 49 years – Les Prix du Livre at Arles, which was set up at the same time as the Rencontres d’Arles festival. With its long history and prestigious jury, which is this year overseen by FOAM director Marloes Krijnen, the Prix du Livre are some of the best-respected in photography.
Three Prix are up for grabs in three categories this year – the Historical Book Award, the Author Book Award, and the Photo-text Book Award, each of which come with a €6000 prize to be shared between the photographers and their publishers. The books are on show at Arles until 23 September, and the winners will be announced in the opening week.
The “fictive hellhole” of Soham Gupta’s Angst makes for challenging viewing. Since 2013, with the night as his backdrop, the 29-year-old has been creating a haunting constellation of portraits of those living on the margins of Calcutta society. Drawing on a troubled youth spent struggling with societal expectations, Angst is a despairing, personal reckoning with a world in which the weakest and most vulnerable are neglected. The project started following a workshop with Antoine d’Agata and Sohrab Hura (a Ones To Watch in 2011) in Cambodia, where Gupta was encouraged to move away from his background in photojournalism and build on his innate interest in loneliness and vulnerability. Setting out on his own nocturnal journey through the streets of his hometown, Gupta began photographing and writing short fictional texts about the people he encountered. After instigating conversation, he would then collaborate with them to create a portrait.