Born in Amsterdam in 1983, Isabella Rozendaal has been photographing animals since her student days at the Royal Academy of Arts in The Hague. Her book Animalia Amsterdam: Pet Portraits features over 100 images, and her new book and exhibition, Isabella Hunts: Photographing Hunting Cultures, shows images of hunters and prey from around the world shot over the last 12 years.
Focusing in on the Nukini people in the Brazilian Amazon (for whom hunting is as mundane as going to the supermarket), to European hunting rites (traditions which are a product of old aristocratic rituals), to American enthusiasts (shaped by the Romantic, pioneer wilderness ideal but supported by a vast commercial hunting industry), her images seek to question our concept of nature and our place in the food chain.
Cats may have nine lives, but since curiosity killed the cat it’s probably a good thing. All these cats have been caught mid-jump, flying through the air by photographer Daniel Gebhart De Koekkoek. These seemingly acrobatic feats see our agile pets leaping across entire rooms, suspended before they come back down to earth. An entertaining series that taps into the popularity of the jumping photograph phenomenon.
“In America, cattle are seen as food,” says 26-year-old Allyson Anne Lamb. “People don’t see them as anything other than burgers. But there is a lot more that goes on with animals. I wanted to create a fantasy world where cattle aren’t just food. I wanted to show a relationship between the animal and human.” In Beefcakes, Lamb, who graduated from the School of Visual Arts in New York four years ago, photographed herself naked with cattle at ranches in Texas, Maine and Maryland in the US. “I was already making self-portraits to explore my identity as a young woman, and wanted to have the same conversation about cattle and identity,” she explains. “Cattle are much more rigidly purposed than I am – cows are used for breeding or for their milk their entire lives, for example. I wanted to show a woman physically on or next to a cow to say, ‘Look, here they are at the same time.’” Currently based in Philadelphia, Pennsylvania, Lamb worked on the project from July to December last year. “I looked …