All posts tagged: Anton Corbijn

Breaking Point at the Hamburg Triennial

The 18-year-old Hamburg Triennial will be directed for the second time by Polish curator Krzysztof Candrowicz, who moved to Hamburg four years ago and set about transforming the it, bringing people and institutions together, and determined to make it more relevant to the viewing public. The 2015 edition was, he says, “The first holistic attempt to create the collaborative framework of the festival. Before, the museums were basically highlighting their own exhibitions, but there was no actual curatorial collective structure.” The determinedly political and environmentally-conscious theme this year was inspired by an amalgamation of many factors, he says, including spending a year “away from structured, mechanised and commercial reality”, travelling around Latin America, Nepal and India. “Breaking Point became, for me, a metaphor for rapid and sometimes unexpected transformation on a personal and global level.”


Anton Corbijn talks about Dennis Stock, James Dean and his own photography

From what I’ve read, Dennis Stock was an irascible guy. In the later stages of his life they called him ‘Dennis the Menace’ in the Magnum offices. That’s true. Dennis Stock didn’t take any prisoners, he was no mercy, incredible. He had five ex-wives and a few of them didn’t want to talk to us about him – he didn’t leave them on good terms. We portrayed his relationship with his son at the end of the film as more positive than it was in real life. d Did Robert Pattinson have an interest in photography when you cast him as Dennis Stock? I don’t think so. We made sure he got a camera months in advance to familiarise himself with that and to get a sense of wanting to take a picture of moments. Of course when you shoot with film you don’t take as many pictures. When I looked at the Magnum contact sheets, the Times Square sequence for example, there are are six shots. You’re much more focused. You considered shooting the film in …


How Dennis Stock took those iconic pictures of James Dean

When the Magnum photographer Dennis Stock met actor James Dean in Hollywood in 1955, something about the rising star caught his attention. The young actor had yet to make what would be the defining film of his short career – Rebel Without a Cause – and, while not completely unknown, he was not the iconic figure he would soon become. Yet Stock, who at the time was making a steady living as a photographer for Life magazine, couldn’t get the actor out of his head. He saw something in Dean – charisma certainly, an untapped star quality – and was determined to capture him on film. So began the brief and at times fraught relationship between Dean and the photographer as he tried to convince the actor to make a photo essay for Life. The ups and downs of their relationship lie at the heart of a new film, Life, directed by Anton Corbijn, and starring Dane DeHaan and Robert Pattinson. Dean (DeHaan), wrapped up in his own bubble, is a tricky customer, not one …


BJP Staff