Since 2012, Temps Zero has matched emerging photographers and cutting-edge music, creative “a sonic and visual experience” that has popped up in Paris, Berlin, Athens, Rome, and many more. No two performances are alike, but the project is overseen by Stéphane Charpentier, a French photographer currently based in Athens.
Temps Zero’s next outing is in Vienna during Foto Wien 2019, with a photo projection in the Schikaneder Kino on 23 March, 24 March and 13 April accompanied by a soundtrack record by Alyssa Moxley, plus a photography show in the cinema. Guest-curated by Damien Daufresne and Kunstnetzwerk, the show includes images by French photographers Gaël Bonnefon and Gabrielle Duplantier, Italian photographers Marco Marzocchi and Lorenzo Castore, and Swedish photographers Theo Elias and Martin Bogren
Publications we loved, and the big news stories from the last month in photobooks, including American Winter by Gerry Johansson, Void’s Hunger project, and JA Mortram’s Small Town Inertia
Our pick of the key stories from the past week, including Paris’ Circulation(s) festival of emerging European photography, the first-ever Kyiv Photo Book festival, and Todd Hido’s Bright Black World
Hunger is an experimental project based on Franz Kafka’s short story, A Hunger Artist, about the once-glorious, but now dying, art of performers who starved themselves. Curated by Greek publishing house Void, it involves the work of 28 photographers, both established and up-and-coming, presented in seven broadsheet publications, and in an online exhibition on PHMuseum.com.
The overwhelming sense of being surrounded by people yet feeling alone among them is a well documented facet of city life. And even if you are among the 46 percent of the world’s population living in a rural environment, you’ll be familiar with the emblematic image of urban disconnection in which tower blocks loom over bustling streets filled with scurrying figures. But what happens when the day is over and each individual retreats into their home for a moment of calm after the storm? London-based photographer Aristotle Roufanis is fascinated by this experience of collective solitude. Trained as a civil engineer, he has an affinity for the urban structures that characterise major cities all over the world.
Petros Koublis has responded to Greece’s economic crisis by focusing his lens on the countryside surrounding Athens. For him, exploring his homeland’s natural landscape was the instinctual way to reflect on and probe the effects of the financial crisis, he says. The idea for In Landscapes came to him in November 2012, and was born from a personal need to explore “the difficult times we’re going through today”. He explains: “I wanted to avoid the narrative of violence and its graphic representation in news reports. The landscapes provided me with an abstract language through which I was not only able to emotionally express the crisis of our days with dignity, but also reach for something universal.” In doing so, Koublis hoped to emphasise the differences between nature and the city, and also touch upon how the beauty of nature can provide solace in turbulent times. “The series is an evaluation of our lives, the need for an escape, and the despair of not knowing exactly where to turn,” he says. “Nature provides a way out, an escape …