With €10,000 up for grabs to realise a project, the Greenpeace Photo Award is a great opportunity – and this year, the public decides who wins. Run with support from Geo Magazine, an awards jury has shortlisted seven photographers to choose from, each from a different country and each working on a series with an environmental theme.
The public has until 31 October to vote on the winner; a further €10,000 will go to a second winner selected by the jury, which this year includes curator and lecturer Lars Willumeit, and Geo Magazine chief photo editor Lars Lindemann.
The shortlisted photographers are: Niels Ackermann (Switzerland); Magda Biernat (USA); Arko Datto (India); Niklas Grapatin (Germany); Katrin Koenning (Australia); Pablo Piovano (Argentina); and Ian Willms (Canada).
“I’ve spent so many hours on end in the dark, listening to loud music and just watching people, trying to see who I can take photos of and sussing out the environment” says Lionel Kiernan, “my work is a recording of what we can see with the naked eye in these constantly repetitive environments”.
At 21, Kiernan is the youngest photographer, and only Australian, to ever be shortlisted for the MACK First Book Award. After graduating from the Photography Studies College in Melbourne in 2017, Kiernan was nominated this year for his first major body of work documenting Melbourne’s nightlife scene, At Night.
Mac Lawrence’s Hidden Dispositions examines the representation of masculinity in his home country, Australia, a place “shaped by conflict, toxic norms and a deeply fragile sense of masculinity”. “Australian culture is rooted in racism, sexism and decades of white male dominance,” he says.
“The White Man’s Hole is a work about the town of Coober Pedy, in the South of Australia, and is the second chapter of an ongoing project called Outback Mythologies, about the Australian Outback and its importance for the Australian identity.” So Antoine Bruy describes his latest work, which won the Next Photographer Award at the D&AD Festival 2017, run in partnership with Getty Images. “Choosing a winner was difficult, but Antoine Bruy showed a level of originality and technical expertise that raised the bar for the competition,” commented Andy Saunders, one of the judges and senior vice president of creative content at Getty Images. Coober Pedy is a sun-drenched town in South Australia, better known as “the opal capital of the world”. The precious mineral was first found there in 1915 and extracting it remains the major source of income for the locals – who, to protect themselves from the extreme heat of their location, live mostly underground. Bruy went Coober Pedy after spending a year in Australia, and says he was “astonished by the surreal landscapes” the first time he went, adding “it …
The inescapable horrors of war have arguably come to define our modern world. With the ongoing refugee crisis, the endless atrocities unfolding at the hands of ISIS and the Yemen war making headlines, both domestic and international conflicts continue to mark our global landscape. Though the world has become a much less violent place since the end of the Second World War, the last decade has seen an increase in terrorism and violence – with the Institute for Economics and Peace (IEP), finding that out of 162 countries, only 11 of the world’s nations are in a full state of peace. In our ever globalised world, these conflicts will continue to effect us, both at home and abroad. Traces of War is a major new exhibition which seeks to show that war is not confined to moments of crisis or battlefield locations; but rather a force which disrupts the normality of everyday life. Internationally renowned artists Jananne Al-Ani, Baptist Coelho, and Shaun Gladwell explore the most enduring, and, some would argue, most dangerous aspect of conflict – its presence and intersection with …