All posts tagged: black-and-white

Joanna Piotrowska on show at Tate Britain

Born in Poland in 1985 and based in London, Joanna Piotrowska has had a stellar career so far. Studying photography at the Academy of Fine Arts in Kraków and then on the prestigious MA at London’s Royal College of Art, she won MACK’s First Book Award in 2014 with FROWST, and then the Photoworks & Jerwood Award in 2015. She’s already shown her work at the Winterthur Fotomuseum, Switzerland, MoMA in New York, Hayward Gallery, Institute of Contemporary Arts and Sadie Coles in London, and now her first solo show has opened at Tate Britain. 

Titled All Our False Devices, the exhibition includes both still photographs and 16mm films to consider gestures, relationships, and power. The series Self Defense, 2015 shows young women re-enacting poses from self-defence manuals, for example, while Shelters, 2016-2018 shows makeshift structures Piotrowska invited people to build at home in Lisbon, Rio de Janeiro, Warsaw, and London.

2019-03-08T11:41:15+00:00

Implicit Tensions: Mapplethorpe Now

In the winter of 1988, at the Institute of Contemporary Art in Philadelphia, an exhibition opened, triggering outrage. The Perfect Moment, a display of 125 photographs by New Yorker Robert Mapplethorpe, was the most comprehensive show of his work to date – and the most provocative – featuring images he had taken over the previous 25 years, including those of his divisive X Portfolio.

The retrospective came at a difficult time in Mapplethorpe’s life: he was 42, and losing his fight with Aids – the disease that would take his life the following March. Perhaps, for him, this was his final chance to show this expansive oeuvre to the public – most of it shot in his Manhattan loft. But his pristine black-and-white photographs of BDSM scenes, and the sexy, sinewy strangers he met at the Mineshaft sex club, shocked conservative audiences. On a political level, the culture wars in the US were raging.

2019-01-31T11:31:51+00:00

American Winter by Gerry Johansson

“For me it is important not to create a story with the pictures,” says Gerry Johansson. “Normally when you edit you try to sequence the photographs. But for me it is important that each picture is considered as a single, individual image.”

Johansson’s photography is largely driven by intuition, but when it comes to making a book, logic and order triumph. Almost all of his 31 photobooks are defined by their geography, if not the subject matter, and their equally-sized photographs are generally organised either alphabetically or chronologically, a bid to encourage readers to interpret them individually. 

2019-01-24T09:02:57+00:00

Meet Leander Varekamp, our Portrait of Humanity People’s Choice Winner

Portrait of Humanity provides photographers with the chance to share portraits of everyday life around the world, with the world. The aim is to explore and celebrate the many faces of humanity. That’s also the aim of Holland-based documentary photographer Leander Varekamp, whose image was selected by The Guardian editors as one of their favourite Portrait of Humanity entries so far, and voted by our followers as their favourite of the picks. The image, a crisp black & white portrait, is part of a series on Burrneshas – Albanian women who have chosen to live their lives as men. With only a few dozen Burrneshas left, the tradition is quickly dying out, and Varekamp is using portraiture to ensure that this little-known phenomenon is not forgotten completely. Since Varekamp discovered a talent for photography at the age of 17, he has used his camera as a means of investigating communities – such as Burrneshas – that intrigue him. As he puts it, ‘the camera opens doors that would otherwise remain closed’. We spoke to Varekamp …

2019-10-21T15:18:05+00:00

Sara Palmieri’s surreal Scenarios

Sara Palmieri’s Scenario is the latest instalment of an ongoing photographic experimentation with the nature of the invisible and the mysterious. Her investigations began with M, a work based around family archives depicting her grandmother’s hair. Subsequently Palmieri, who was born in Rome, attended a year-long workshop at the ISSP International Masterclass in Latvia, which was headed by Aaron Schuman, and where she produced La plume plonge a la tête and Scenario.

The projects share a vocabulary of darkness and shadows, with a weighty element of construction: each work produces its own internally functioning visual universe, where everything is significant and no element is left to chance. “I’m interested in the non-visible aspects of reality that I try to represent through a process of time, memories and intuitions, the unconscious and revelations, fragments and recompositions,” Palmieri explains.

2018-12-04T09:40:21+00:00

Revisiting Alys Tomlinson’s BJP IPA-shortlisted series Ex-Voto

Last few hours left to apply! BJP IPA 2019 deadline: 20 December, 2018. There will be NO extended deadline.  “Placed anonymously and often hidden from view, ‘Ex-Votos’ are offerings left by pilgrims as signs of gratitude and devotion,” explains Alys Tomlinson of the subjects of Ex-Voto, a series exploring offerings of religious devotion found at Christian pilgrimage sites. These small donations of gratitude take the form of handwritten notes neatly folded and hidden in the crevice of rocks, crosses etched into stone, or lengths of ribbon tied around piles of twigs, creating a tangible narrative between faith, person and the landscape. Ex-Voto explores this narrative through formal portraiture, large format landscape photography, and small, detailed still lives of the objects and markers left behind. Last year, the series was shortlisted for the BJP International Photography Award, and it has garnered global attention ever since. “To have my interests recognized as resonating beyond my own curious impulses is both exciting and encouraging,” says Alys of being shortlisted for last year’s BJP IPA, “While to receive recognition from …

2018-12-20T15:36:39+00:00

Shedding light on the threat of large-scale mining in the Ecuadorian Amazon

“In my youth, I had a significant dream about the area of the Alta Amazonia, the place where I later based my project,” the Italian photographer Nicola Ókin Frioli tells BJP. “One day I met someone who confirmed I had a kind of calling to this area and advised me to go.”   Ókin took his first trip to the Ecuadorian Amazon in January 2015, which coincided with the 20th anniversary of the Alto Cenepa War, a conflict that broke out between Ecuador and Peru over disputed territory from 26 January to 28 February 1995. “It was a war of the governments, not of the natives. Yet they participated anyway as civilians in support of the inexperienced military,” explains Ókin. “For the indigenous people, particularly the Shuar and Achuar, it was a resistance because their territory was in danger.” Now, the indigenous communities are facing another imminent threat – that of large-scale mining. Rich in copper and gold, the Shuar and Achuar territories are in danger of being exploited and its inhabitants risk being forcibly …

2018-04-17T11:51:03+00:00

BJP #7863: Invisible World

The September issue brings the otherwise invisible into sharp focus. Invisible World explores forgotten conflicts, intimate retreats, abused landscapes and remote islands to uncover the hidden realities and unknown societies behind ordinary backdrops. “As social beings, we all demand to be seen,” says Hoda Afshar, whose latest series, Behold, takes us to an exclusive male-only bathhouse. Her point resonates with all the photoseries explored in this issue: how do we negotiate our surroundings, how do we see our societies, how do we interpret our world? We need to first see the invisible to answer these ever salient questions.

2018-04-10T09:39:29+00:00

Q&A: David Molina Gadea on his book project White Noise Black Mirror

Born in Tarragona, Spain in 1991, David Molina Gadea studied Arts at the Massana School from 2009 to 2012, and started to work with local newspapers shortly after graduating. In 2015 he did voluntary work in several centres for asylum seekers in Belgium, where he shot a series called The Long Way home, which was published in BJP’s September 2016 issue. He reached the final in Burn Magazine’s Emergent Photographer Fund, and recently joined the Portuguese agency 4SEE.  BJP: How would you describe your style? DMG: My work is documentary, so everything you see is what was truly going on. But when it comes to editing and sequencing the work, I try to build a less factual world where magic exists. That’s why some of the pictures are becoming more abstract, or I prefer to say ambiguous. I’m becoming less interested in depicting the world of facts, and more interested in poetry, in a kind of emotional territory. In the end it is just about documenting the world around me, but documenting the poetic and emotional …

2017-03-06T12:28:20+00:00

Portraits of adversity in California’s Central Valley

Stretching deep through the spine of California’s Central Valley is Route 99. Once the primary north-south highway on the West Coast of the US, it has now given way to the much larger Interstate 5. As a result, a string of towns in the 60-mile-wide, 450-mile-long route have been forgotten by the majority of travellers on their way to San Francisco or Los Angeles. Nestled deep in this dust-filled, insufferably hot region are the sites of Katy Grannan’s The Ninety Nine and The Nine. The title of the series of portraits, The Ninety Nine, references Route 99 and the small towns along its reach. The Nine is the title of a series of accompanying large-scale, black-and-white landscape photographs, as well as an upcoming film. This title refers to South 9th Street in the town of Modesto, which is considered to be one of the most dangerous roads in the region. It is also the place where many of her subjects reside.     The landscape of the Central Valley is empty, physically expansive and physiologically charged. The valley is …

2016-01-08T16:31:22+00:00

BJP Staff