Born in Amsterdam in 1983, Isabella Rozendaal has been photographing animals since her student days at the Royal Academy of Arts in The Hague. Her book Animalia Amsterdam: Pet Portraits features over 100 images, and her new book and exhibition, Isabella Hunts: Photographing Hunting Cultures, shows images of hunters and prey from around the world shot over the last 12 years.
Focusing in on the Nukini people in the Brazilian Amazon (for whom hunting is as mundane as going to the supermarket), to European hunting rites (traditions which are a product of old aristocratic rituals), to American enthusiasts (shaped by the Romantic, pioneer wilderness ideal but supported by a vast commercial hunting industry), her images seek to question our concept of nature and our place in the food chain.
Guilherme Bergamini’s politically-charged photoessay Education for All is announced as winner of the Felix Schoeller People’s Choice Award
The work of Mario Cravo Neto has long been under-appreciated on British shores. Despite long being a celebrated figure of contemporary Brazilian photography at home and abroad – having exhibited extensively in South America and the United States as well as at the Recontre d’Arles – the photographer, who died in 2009, hasn’t been exposed to British audiences to the same extent. The first UK solo exhibition of his work has recently gone on show at London’s Autograph ABP, under the auspices of the gallery director Mark Sealy and guest curator Gabriela Salgado. I visited the gallery as the show was being installed as Salgado explained what makes Mario Cravo Neto such an essential figure in Brazilian art. “MY IDEA FROM NOW ON IS TO DEVELOP THAT TRANSITION BETWEEN THE INERT OBJECT AND THE SACRED OBJECT. IT IS SIMPLY A RELIGIOUS POSITION IN PHOTOGRAPHY THAT I WISH TO ADOPT.” – MARIO CRAVO NETO Cultural tastes may have had a part to play in his long absence from these shores, with Cravo Neto’s idiosyncratic studio portraits …