Patricia Karallis and Giada De Agostinis from the Lucie Award-nominated Paper Journal pick out the photography and projects that caught their eye – including Dave Heath’s Dialogues with Solitude at Le Bal, Paris
“This book….does not – and this I must emphasise – document life in the GDR [German Democratic Republic]. Rather, it shows how I saw this country and the people who lived here,” writes Roger Melis in the introduction to his book In a Silent Country, now published for the first time in an English edition.
“When selecting the photographs for this volume, I placed no demands on myself, and certainly did not try to comprehensively depict working and living conditions in the GDR,” he later adds. “…they focus on the everyday, and not on the spectacular. In my photographs, I only rarely attempted to capture a decisive, unrepeatable moment. The moments I always searched for were the ones in which whatever was special, unusual or temporary about people and things had dropped away, revealing the core of their being, their essence.”
In 2014, Troy Charles knocked on the door of 2411, Mason Avenue, Las Vegas, hoping to find his ex-girlfriend. Instead, he encountered Stefanie Moshammer, an Austrian photographer who was living in the US for three months to work on a project. They spoke for five minutes, exchanging a few sentences. One week later, Moshammer received a typewritten, 35-line love letter, which told her: “I can be your ticket to USA citizenship”. In Not just your face honey, which takes its title from another extract from the letter, Moshammer documents the ambivalent feelings this unforeseen, obsessive declaration of love provoked. Central themes include love, illusion and identity, as well as ideas of the past, present, and future. “Of course, the series is about my personal letter, but it’s also about Las Vegas and how men try pursue women through the movie-esque American dream,” she says. In the letter, Charles offered Moshammer marriage, a room in his house, and a “cute, special fast car that’s almost new”. Though intended to be romantic, the propositions struck her as sinister, …
“To look ahead we first need to look back in time,” write Kim Knoppers and Ann-Christin Bertrand, curators of Back to the Future: The 19th Century in the 21st Century – an exhibition that presents contemporary artists whose experimental approach to photography echoes that of the 19th century pioneers of the medium.