“The photographers we have selected who are part of the exhibition are the vanguard – they are the next generation,” says Brendan Embser, managing editor of Aperture. He’s talking about the professional finalists in this year’s Sony World Photography Awards, which he helped judge alongside three other photography experts: Emma Lewis, assistant curator, Tate; Liu Heung Shing, founder of the Shanghai Center of Photography; and Isabella van Marle, head of artist & gallery relations at Unseen Amsterdam.
The Sony World Photography Awards are divided into four categories – professional, student, youth, and open – which this year received over 326,000 submissions from 195 countries and territories. The shortlisted work will go on show at the 2019 Sony World Photography Awards Exhibition at Somerset House, London, before going on tour around the world; this exhibition will also include a section dedicated to work by Nadav Kander, who has been awarded a prize for his Outstanding Contribution to Photography.
“It was moving to London that got me interested in publishing,” says Sarah Barnett, who relocated to the capital from Manchester with a multimedia degree and experience working in an interactive agency. She quickly got a job at Progressive Content marketing agency, and later became the art editor of Economia magazine, working with Rebecca McClelland (formerly photography editor for New Statesman, Port and Wallpaper*) and photographer Catherine Hyland. Together, they had “the challenge of trying to push the creative boundaries of an accountancy magazine,” she recalls. “We worked with some of the best portrait photographers and that definitely influenced me in how I work with photography today.”
In 2016, she became the art director of N by Norwegian, spearheading its recent redesign to allow more room for photography series, demanding a “whole new level of editing”, says Barnett. “We might be an in-flight publication, but we’re more than just travel.”
Catherine Hyland creates an eclectic series of portraits along the banks of Linz’s central waterway for an exclusive British Journal of Photography commission
Five contemporary Austrian photographers – Stefanie Moshammer, Thomas Albdorf, Hanna Putz, Klaus Pichler and Daniel Gebhart de Koekkoek – present work responding to the place they call home
Catherine Hyland uncovers points of contrast in the picturesque landscapes of the Bregenzerwald on an exclusive British Journal of Photography commission
The photographer will spend a week travelling across the country and create a body of work responding to the people and places she encounters
British Journal of Photography is excited to reveal the photographers shortlisted for Austria. The Art of Discovery. Of the eight photographers, one will travel to Austria on an exclusive commission to explore and document the country
Win an exclusive commission to explore and document the country. Submit your work today.
Catherine Hyland’s fascination with landscape is the inspiration behind her otherworldly large format images depicting humanity’s attempts – some more effective than others – to tame the environment. It’s an observation that has led to both artistic and commercial commissions, with residencies at venues such as the Focal Point Gallery in Southend for the Radical Essex programme, the Cultural Association Su Palatu Fotografia in Sardinia and the Design Museum in London. She has also made a short documentary for the Sri Lanka Design Festival on the country’s eco-factories.