“Throughout my decade of coverage, the goal has always been to humanise this complex issue of immigration,” says John Moore, who’s nominated image from June 2018, Crying Girl on the Border, became a symbol of the families pulled apart by Trump’s “zero tolerance” immigration policy.
“I think that today, we need to be able to tell stories in differently, to be able to connect to as many viewers as we can,” says World Press Story of the Year-nominated Pieter Ten Hoopen. “We’re heading towards a new phase. Before, a single image could become iconic for a whole war, or a situation of despair. Now it’s different, and I think we need to be able to tell stories in a more sensitive way.”
Hoopen’s nominated photographs for World Press Story of the Year follow the movement of thousands of Central American migrants who joined a caravan heading to the United States border between October and November 2018. It is estimated that over 7,000 people – at least 2,300 of them children – joined the trek, making it the largest caravan of migrants in recent history, according to UN agencies.
Our pick of the key stories from the past week, including: World Press Photo Foundation’s 6×6 talents from North and Central America; Kensuke Koike and Thomas Sauvin’s No More No Less; Graciela Iturbide’s Mexico; JA Mortram’s Small Town Inertia; and the Jimei x Arles festival in China