Blending painting, collage, and photography, the Iranian artist’s compositions respond to her homeland; her experience of leaving, and the realities of those forced to flee their homes
Simpson’s most recent series explores perceptions of the body through collages that are both playful and uncanny
Created in lockdown at a secluded farm outside of Cape Town, South Africa, Krijno’s dreamlike collages offer windows onto fantastical worlds — far away from the current crisis unfolding in our own
Influenced by the ideas of Donna Haraway, Hosokura’s latest publication breaks down the rigid binaries and definitions that give shape to our conception of what it means to be human
“I see my work as a kind of tapestry, which is woven by thousands of threads in order to create one image”
A new body of work by the Belgium artist goes on show at the Musée des beaux-arts du Locle, Switzerland
Taking its title from a leaked CIA manual from the 1950s, George Selley’s collages – now the subject of a new photobook – tell a surreal story about leaked CIA documents, government propaganda, and bananas
When he found out about these documents, George Selley was instantly captivated, and his new project, A Study of Assassination, combines pages from the manual with archival press images, banana advertisements and Cold War propaganda. BJP caught up with the recent London College of Communication MA graduate to find out more about this project and his approach to images.
Drawing on the visual language of Cubism, the Vietnamese photographer creates whimsical renditions of the nude form
The collages of Kensuke Koike have been one of the purest forms of visual pleasure over the last two years. Videos of his working process on his Instagram account show him making miraculous reinventions of images with a single rip (his smoking woman), with a pasta machine (his dog), and with three-dimensional transformations (his sinking boat). It’s work that attracts because it seems so simple.
Take an old portrait of a loving couple, cut their eyes out, switch them around and the relationship takes a new direction. Cut a circle around the middle of a face, offset it a couple of inches, and you’re left with a pathway to that person’s interior. These are pictures that seem simple, but link up to ideas of image compression, ways of seeing, facial recognition and visual agnosias. It’s The Man who Mistook his Wife for a Hat in photographic form.
Koike’s work has attracted a loyal following, inspired countless copycat activities at photography workshops around the world, and invited collaborations from parties ranging from Gucci to Thomas Sauvin of Beijing Silvermine. It’s the Sauvin collaboration that resulted in Koike’s latest work, a book launched in November. Titled No More No Less, the publication came about after Koike was invited to work with Sauvin’s archive of old images that he recovered from Beijing silver-recycling centres.
“Your memory isn’t like a file in your hard-drive that stays the same every time you revisit it. It actively changes,” says John Houck, whose images, just like our memories, can be deceptive. His pieces are made cyclically, by photographing and rephotographing objects, paintings, and sheets of folded paper, adding and removing elements with each iteration. “It’s a way to get at the way in which memory is an imaginative act,” he says.