Spanning a 30-year career, Schorr’s work explores identity politics and photography’s fetishistic gaze. Best-known for her early portraits of adolescent boys, and her fashion and editorial work for magazines, her 2014 show, 8 Women, highlighted a shift in focus.
What draws me to photographing adolescent youth? The sense of things being unresolved. I succeeded in nothing as a child. I waited for high school to be over so I could go to New York. I knew things wouldn’t come easy. But I knew they could come if I worked for them.
What do Sophie Calle, Rineke Dijkstra, Susan Meiselas, and Hannah Starkey all have in common? They’re all on the list of 100 contemporary women photographers picked out by the UK’s Royal Photographic Society, after an open call for nominations. Over 1300 photographers were recommended to the organisation by the general public, which was slimmed down by a judging panel headed up by photographer Rut Blees Luxemburg.
The final list includes well-known names but also less recognised image-makers such as Native American artist Wendy Red Star, Moscow-based photographer Oksana Yushko, and Paola Paredes from Ecuador. Each Heroine will be awarded a Margaret Harper medal, named after the first female president of The Royal Photographic Society, and the first female professor of photography in the UK. An exhibition and accompanying publication will follow, all part of a bid to highlight women working in what is still a male-dominated industry.
“Although it was a truly challenging exercise having to consider 1300 women, being a part of the jury for Hundred Heroines was ultimately an incredibly stimulating and inspirational process,” says Luxemburg. “This final list reflects both the global expanse of female practice and the intergenerational input into contemporary photography. It reflects the wide range of methodologies, practices and diverse approaches of women working with the photographic medium. This is a moment of change and this list of heroines pays heed to it.”
London-based publisher MACK Books is one of the world’s best-respected photobook makers. A leading producer of contemporary books, working with some of the most established artists in the field, MACK has also won acclaim for republishing hard-to-find classics such as Masahisa Fukase’s Ravens and Luigi Ghirri’s Kodachrome, and for supporting and promoting emerging artists, particularly through its prestigious First Book Award. In addition, MACK has published several books compiling writing on photography by artists such as Joan Fontcuberta, Allan Sekula and Victor Burgin. MACK was originally set up as steidlMACK in 2004 and was part of the Steidl publishing house, but its founder, Michael Mack, left the German company to go it alone in 2010. Now MACK’s work to date under both imprints is being showcased at the Centre for Contemporary Photography in Australia, in an exhibition presented by Perimeter Books which features over 200 books and special editions, including MACK’s pioneering experiments in digital publishing via MAPP Editions. In most cases, visitors are able to hold, handle and read these rare and sometimes out-of-print photobooks.
The writer, curator, lecturer, and founder of Self Publish, Be Happy picks out his top five of the year – including Shanghai-based studio Same Paper
Patricia Karallis and Giada De Agostinis, founding editor and editor of the online photography magazine, pick out their top five of the year – including Vincent Ferrané’s book Milky Way
“Copyright has never interested me,” said Richard Prince in 2011, according to a photographer suing him for image appropriation (and as reported in The Guardian). “For most of my life I owned half a stereo, so there was no point in suing me, but that’s changed now and it’s interesting… “So, sometimes it’s better not to be successful and well-known and you can get away with much more. I knew what I was stealing 30 years ago but it didn’t matter because no one cared, no one was paying any attention.” They’re paying attention now, and Prince’s work is now included in a group show at London’s Skarstedt gallery – Double Take, which also includes work by Roe Ethridge, Collier Schorr, Anne Collier, Barbara Kruger and Robert Heinecken (among others). Spanning from the 1960s to the present day, the show focuses on art that appropriates images, to show “the power of pictures in shaping ideas of identity, gender, race, desire and sexuality”. “The great thing about appropriation is that even though the transformation reads as fiction, everybody knows …