“The whole jury was in agreement that Eva has a very strong vision and that her work is characterised by a consistency both in aesthetic and content, since the concepts explored are the hot topics of our contemporary society,” says Alessia Glaviano, senior photo editor on Vogue Italia and member of the Hyères Festival photography jury this year – which has awarded the grand prix to Eva O’Leary. The New York-based photographer has won with a series called Spitting Image, which shows American girls aged 11 to 14 photographed while looking at themselves in a mirror. A project involving both photographs and videos, Spitting Image shows both the girls’ discomfort with being put in front of the lens, and the ways in which they – and others – present themselves for the camera.
“It’s getting near show time!” the voice would boom out over the cheers of the punters. Susan Meiselas would hover at first near the back of the tent. “Don’t be shy, take your hands out of your pockets, take your money out of your wallets. Rest your elbows on the stage and look up into the whole, the whole goddamn show. Show time! Where they strip to please, not to tease!” Susan Meiselas was 24 when she started Carnival Strippers. It was the summer of 1972, and her photography experience was limited to portraits of her housemates in Cambridge, Massachusetts. She had just completed an MA from Harvard, yet she still was shy and unsure of herself – very unlike the direct intellect of today, who treats Magnum’s offices like second homes.