Neville’s Deutsche Börse-nominated project, Parade, is a portrait of a community in which farming is central to their way of life. In his new publication, the photographer calls for changes to land policy, and here, he reflects on his motives, and the importance of giving back
In her Deutsche Börse-nominated project, Strand explores how photography might literally be transmitted into a painting, employing a method proposed by George H. Eckhardt’s 1936 publication — Electronic Television
Anton Kusters, Clare Strand, Mark Neville and Mohamed Bourouissa have been nominated for the prestigious £30,000 prize
Now in its 22nd year, the Deutsche Börse Photography Foundation Prize is awarded each year to image-makers who’ve made the biggest contribution to the medium in the previous 12 months in Europe. This year the shortlisted artists are: Laia Abril, for her publication On Abortion; Susan Meiselas, for the retrospective exhibition Mediations; Arwed Messmer, for his exhibition RAF – No Evidence / Kein Beweis; and Mark Ruwedel, for the exhibition Artist and Society: Mark Ruwedel. The winner of the £30,000 prize will be announced at The Photographers’ Gallery on 16 May 2019.
“The atomic structure of materials, and the influence of DNA on the appearance of people and all other living organisms, rely on the language of mathematics for their expression,” says British photographer Peter Fraser, whose new exhibition is called Mathematics. On show at the Camden Arts Centre, it’s a wide-ranging series which brings together seemingly disparate, people, objects, and landscapes, shot in various places and locations.
For Fraser they’re linked by the fact they can all be described mathematically. “I’m inviting the viewer to imagine that mathematics is the code behind everything we see in each of these images,” he says. “And therefore the encyclopaedic nature of the way the subjects jump and change around is really important, for me, to try to suggest the totality of our environment mathematics can describe.”
Magnum Photos just completed its annual AGM and has announced five new photographers are to join as Nominees – Rafal Milach (Poland), Sim Chi Yin (Singapore), Lua Ribeira (Spain), Gregory Halpern (USA), and Lindokuhle Sobekwa (South Africa).
Under Magnum’s system, photographers first join as Nominees, before graduating to become Associates a couple of years later. After a spell as Associates, they then become full Members – a status which confers life-time membership of the world-famous agency. Magnum has also announced that previous Nominees Sohrab Hura (India) and Lorenzo Meloni (Italy) have become Associates.
It’s the 21st year of the prize, and this year the shortlisted projects by Mathieu Asselin, Rafal Milach, Batia Suter, and Luke Willis Thompson all “reflect a shared concern with the production and manipulation of knowledge and systems of representation through visual formats”, say the organisers of the Deutsche Börse Photography Foundation Prize 2018. Mathieu Asselin (b. 1973, France) has been nominated for Monsanto: A Photographic Investigation, which was published this year by Actes Sud and exhibited at Les Rencontres d’Arles, and which has already won the First Book of the Year in the Paris Photo-Aperture Foundation Photobook Awards 2017.
The Dutch photographer’s epic Imperial Courts project, which was shot over 22 years, impressed the judges with its “affirmation of photography’s power to address important ideas through pure image”
The director of the We Folk agency on the best photographic projects and events of 2016 and 2017
The director of Self Publish, Be Happy on what made 2016 for him – and what he’s looking forward to in 2017