The subtitle of Patrick Waterhouse’s latest work, Restricted Images, is Made with the Warlpiri of Central Australia – and the word ‘with’ is notable. Over repeated trips, the 37-year-old Briton began to collaborate with, photograph and collect the work of Warlpiri artists, basing himself at the Warlukurlangu Artists art centre in the Northern Territory, five hours’ drive from Alice Springs.
“I wanted to create a situation where the people I was working with had an encounter again, a chance to flip the power dynamic,” he tells me over coffee at his new studio in east London. He is surrounded by prints from the series, neatly packaged and ready to travel with him two days later to Australia for the next chapter of a project that started in 2011 when, through his editorship of the iconic Colors magazine, he first visited the art centre. “I wanted to give the people in this community agency over their own representations,” he says.
Now in its 22nd year, the Deutsche Börse Photography Foundation Prize is awarded each year to image-makers who’ve made the biggest contribution to the medium in the previous 12 months in Europe. This year the shortlisted artists are: Laia Abril, for her publication On Abortion; Susan Meiselas, for the retrospective exhibition Mediations; Arwed Messmer, for his exhibition RAF – No Evidence / Kein Beweis; and Mark Ruwedel, for the exhibition Artist and Society: Mark Ruwedel. The winner of the £30,000 prize will be announced at The Photographers’ Gallery on 16 May 2019.
BJP-online saw out 2018 by asking 13 photo-people from around the world to pick out the projects that most interested them over the past year – including The Guardian’s photo critic Sean O’Hagan, the FT Weekend Magazine’s director of photography Emma Bowkett, and BJP editorial director Simon Bainbridge
Photographs of a woman holding her baby, two shoppers, a drum majorette, and a child from a remote village in Sierra Leone have all been shortlisted for the National Portrait Gallery’s prestigious Taylor Wessing Photographic Portrait Prize this year. The prize winners will be announced at an award ceremony at the NPG on 16 October, with the overall winner receiving £15,000 and other cash prizes awarded to the shortlisted photographers at the judges’ discretion.
Two of the images were shot in London, with Max Barstow behind a striking photograph of two women in a busy shopping street in the city centre. The image comes from his series Londoners and in it, he says, his aim has been to “make unposed portraits with the intensity of images made by great studio photographers such as Richard Avedon and Irving Penn”.
Magnum Photos just completed its annual AGM and has announced five new photographers are to join as Nominees – Rafal Milach (Poland), Sim Chi Yin (Singapore), Lua Ribeira (Spain), Gregory Halpern (USA), and Lindokuhle Sobekwa (South Africa).
Under Magnum’s system, photographers first join as Nominees, before graduating to become Associates a couple of years later. After a spell as Associates, they then become full Members – a status which confers life-time membership of the world-famous agency. Magnum has also announced that previous Nominees Sohrab Hura (India) and Lorenzo Meloni (Italy) have become Associates.
In July 2016, Diamond Reynolds’ partner was shot dead by a police officer during a traffic-stop in Minnesota. Reynolds used Facebook Live to broadcast the moments after the shooting, creating a video that became widely circulated, amassing over six million views, and which was also played to a jury as evidence in June 2017 – in a court case which saw the officer acquitted of all charges. In November 2016, Thompson invited Reynolds to collaborate on a project that would portray her in a different way to the original, publicly-consumed image. The resulting 35mm film, autoportrait, shows Reynolds apparently deep in thought and seemingly unaware of the camera, and is presented as a large-scale installation without a soundtrack. First exhibited in London’s Chisenhale Gallery in 2017, it’s been picked out of the winner of the £30,000 Deutsche Börse Photography Foundation Prize 2018, over the three other shortlisted artists – Mathieu Asselin, Rafal Milach, and Batia Suter.
Tackling excessive consumption and its parlous effect on the environment and on mental health, Excessocenus uses brightly-coloured, staged images rather than the gritty photojournalism more familiar in this field. “On one hand we wanted to point out the culture of excess that is driving the planet to a total collapse, but on the other hand we also wanted to make a point about how this dramatic situation is normally presented to the audience,” says its creators, Cristina de Middel and Bruno Morais
The opening image in his latest book, Sacrifice Your Body, typifies Roe Ethridgeʼs approach. At first sight, itʼs just an ordinary product shot of a Chanel No 5 bottle and its packaging, but closer inspection reveals chipped paint, stray drops of perfume and an intruding wasp. Rippling the surface of a glossy ad with droll other-world elements, itʼs the kind of image thatʼs made him a star in contemporary art, fashion and advertising. Like Juergen Teller, he shoots both commercial and editorial (for the likes of Kenzo, Self Service, Acne Paper and W) alongside his own artwork, and has been shortlisted for the Deutsche Börse Photography Prize (in 2011, alongside Elad Lassry, who heʼs often cited with as evidence of a new trend for dry conceptualism). The Deutsche Börse organisers described his work as follows: “Blurring the boundaries of the commercial with the editorial, and the mundane with the highbrow, Ethridge’s conceptual approach to photography is a playful attack on the traditions and conventions of the medium itself.”
Questions of truth and fiction, doubt and certainty, and the relationship between the observer and the observed are the key themes of the £30,000 prize – which rewards a living photographer, of any nationality, for a body of work felt to have significantly contributed to photography